Doctoral Colloquium (Music): Adalyat Issiyeva
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Doctoral Colloquium:听Adalyat Issiyeva
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According to the first - and only - Russian Imperial census of 1897, less than half of the Empire鈥檚 population spoke Russian as their native language. What was the place of ethnic minorities鈥� cultures within the ever-growing Russian Empire and later within the tightly controlled Soviet Union? This talk focuses on musical representations of Taranchi (or modern Uighur) people in late-Imperial Russia and explores how their identity was negotiated, absorbed, assimilated, and/or (mis)represented by the dominant culture. I also discuss the life and music of the first Soviet Uighur composer Kuddus Kuzhamiarov (1918鈥�1994) in the context of the Soviet Union鈥檚 controversial minority relations, which regularly involved the extensive manipulation of music for political ends. 听
Adalyat Issiyeva holds a Bachelor of Music from Almaty State Conservatoire and completed master鈥檚 and doctoral work at 9I制作厂免费. Shifting from an ethnomusicological focus (鈥淧hilosophical and Religious Aspects of Uighur Muqam鈥�) to western European early music, her master鈥檚 research, 鈥淥stinato Motets by Josquin des Prez,鈥� investigated number symbolism and compositional techniques in renaissance music. She completed her doctoral dissertation titled 鈥淩ussian Orientalism: From Ethnography to Art-Song in Russian Nineteenth-Century Music.鈥� She has published articles in several journals (Revue du Centre Europ茅en d鈥橢tudes Slaves, Sacre Celebration: Revisiting, Reflecting, Revisioning, and Revue musicale OICRM ), as well as in a collection of articles (Rimsky-Korsakov and His World). Her book Representing Russia鈥檚 Orient, published by Oxford University Press, explores the political implications of nineteenth-century Russian art songs with oriental subjects, both within and outside the context of Edward Said鈥檚 Orientalism.
Her research interests include Russian music, Orientalism, nationalism and identity formation, (music) ethnography, Central Asian music and culture, and the politics of representation. In addition to her academic life, she has participated in a number of folk festivals, representing Uighur traditional dance and songs at the Smithsonian Silk Road Festival, among others.
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