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Note: This is the 2010–2011 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Note: This is the 2010–2011 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
The Bachelor of Music (B.Mus.) - Major Performance (Orchestral Instruments) program requires 90 credits (plus 35 credits for the Freshman requirement for out-of-province students).
125 credits are selected as follows:
35 credits - Prerequisite Requirements (for out-of-province students)
18 credits - Required Performance
27 credits - Complementary Performance
16 credits - Required Courses (Theory, Musicianship, and Music History)
8 credits - Complementary Courses (Musicianship and Music History, Literature, or Performance Practice)
18 credits - Free Electives
3 credits - Non-Music Electives
Ensemble Requirements:
1. Students majoring in violin, viola, or cello must commence their assigned ensembles with four terms of string quartets.
2. Violin Majors will be required to complete two terms of ensemble playing on viola.
Special Requirements:
Continuation in the program requires a minimum grade of B- in practical instruction/exams and ensembles.
35 credits selected as described below, in consultation with the Program Adviser:
23 credits of Prerequisite Courses
2 credits of Assigned Small Ensemble
4 credits of Basic Ensemble Training
6 credits of Non-Music Electives
23 credits, all of the courses below:
Note: Applicants who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.
Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.
Terms: Fall 2010, Summer 2011
Instructors: Barg, Lisa (Fall)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010
Instructors: Hutchins, Timothy; Devuyst, Russell; Kolomyjec, Joanne; Box, James; Forget, Normand; Freeman, Peter; Mangrum, Martin D; Miller, Dennis; Zirbel, John; Algie, Stephen Michael; Desgagne, Alain; Baskin, Theodore; Kestenberg, Abe; Hashimoto, Kyoko; Amirault, Steve; Lee, Ranee Y; Bolduc, Remi; Clayton, Greg; Dean, Kevin; McCann, Christopher; Hollins, Fraser; Lozano, Francisco J; Couture, Jocelyn; Guimond, Claire; Haimovitz, Matt; Manker, Brian; Lupien, Denise; Roberts, Richard Allen; Roy, Andre J; Crow, Jonathan; Carroll, Edward; Williams, Thomas; Antonio, Garry M W; Leroux, Andre; Rager, Joshua; Sylvan, Sanford; Purdy, Winston; Karlicek, Martin; Harboyan, Patil; Dix, Trevor; Fewer, Mark; Crowley, Robert; Wan, Andrew; Huang, Yai-Yun; Marandola, Fabrice; Kutan, Aline; Klopoushak, Carissa; Grew, John; Mdivani, Marina; Dunn, Andrew; McMahon, Michael; Chen, Jun-Yuan; Popescu, Maria-Caliopi (Fall)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Winter 2011
Instructors: Hutchins, Timothy; Devuyst, Russell; Kolomyjec, Joanne; Box, James; Forget, Normand; Freeman, Peter; Mangrum, Martin D; Miller, Dennis; Zirbel, John; Algie, Stephen Michael; Desgagne, Alain; Baskin, Theodore; Kestenberg, Abe; Hashimoto, Kyoko; Amirault, Steve; Lee, Ranee Y; Bolduc, Remi; Clayton, Greg; Dean, Kevin; McCann, Christopher; Hollins, Fraser; Lozano, Francisco J; Couture, Jocelyn; Guimond, Claire; Haimovitz, Matt; Manker, Brian; Lupien, Denise; Roberts, Richard Allen; Roy, Andre J; Crow, Jonathan; Carroll, Edward; Williams, Thomas; Antonio, Garry M W; Leroux, Andre; Rager, Joshua; Sylvan, Sanford; Purdy, Winston; Karlicek, Martin; Harboyan, Patil; Dix, Trevor; Fewer, Mark; Crowley, Robert; Huang, Yai-Yun; Marandola, Fabrice; Klopoushak, Carissa; Grew, John; McMahon, Michael; Chen, Jun-Yuan; Kutan, Aline; Dunn, Andrew; Popescu, Maria-Caliopi; Jimenez, Carlos Alberto (Winter)
Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.
Terms: Fall 2010
Instructors: Kestenberg, Abe (Fall)
Music Professional Development : Additional responsibilities and skills required of professionals in music.
Terms: Winter 2011
Instructors: Kestenberg, Abe (Winter)
Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2010, Winter 2011
Instructors: Mariner, Justin B; De Castro, Margaret Emily; Asly, Monica; Guzik, John W P; Petit-Homme, Fredericka; Kunz, Jean-Willy (Fall) De Castro, Margaret Emily (Winter)
Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2010, Winter 2011, Summer 2011
Instructors: De Castro, Margaret Emily; Petit-Homme, Fredericka (Fall) De Castro, Margaret Emily; Asly, Monica; Mariner, Justin B; Petit-Homme, Fredericka; Kunz, Jean-Willy (Winter)
Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.
Terms: Fall 2010, Winter 2011
Instructors: Kovacs, Jolan Ilona; Davidson, Thomas; Gavrilova, Julia; Choi, Yoo Kyung (Fall) Kovacs, Jolan Ilona (Winter)
Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.
Terms: Fall 2010, Winter 2011, Summer 2011
Instructors: Gavrilova, Julia; Pousont, Thomas (Fall) Kovacs, Jolan Ilona; Gavrilova, Julia; Choi, Yoo Kyung (Winter)
Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.
Terms: Fall 2010, Summer 2011
Instructors: Schubert, Peter N; Davidson, Thomas (Fall) Provost, Matthew (Summer)
Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.
Terms: Winter 2011, Summer 2011
Instructors: Davidson, Thomas; Biamonte, Nicole (Winter) Mariner, Justin B (Summer)
18 credits, select all the courses below:
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Kolomyjec, Joanne; Box, James; Forget, Normand; Howes, Heather L; Gaudreault, Jean; Levesque, Stephane; Zirbel, John; Aldrich, Simon; Martin, David R; Desgagne, Alain; Laimon, Sara; Hashimoto, Kyoko; Mdivani, Marina; Gavrilova, Julia; Zuk, Luba; Bibace, Kenneth; Bolduc, Remi; Clayton, Greg; Grott, David; Hollins, Fraser; Di Lauro, Ronald; Lozano, Francisco J; Haimovitz, Matt; Dolin, Elizabeth; Roberts, Richard Allen; Lambert, Frederic; Roy, Andre J; Carroll, Edward; Williams, Thomas; Antonio, Garry M W; White, Andre; Jarczyk, Jan; Sullivan, Joseph Leo; Doxas, Chester; Roney, John; Stevenson, Francois; Rager, Joshua; Sylvan, Sanford; Karlicek, Martin; Krejcar, Jan; Wan, Andrew; Dix, Trevor; Doxas, Dimitrios; Fewer, Mark; Crowley, Robert; Hutchins, Timothy; Huang, Yai-Yun; Marandola, Fabrice; McCann, Christopher; Algie, Stephen Michael; Lupien, Denise; Jimenez, Carlos Alberto; Purdy, Winston; Mahar, William V; Dunn, Andrew; Popescu, Maria-Caliopi; Johnson, Alexander David (Fall) Bibace, Kenneth; Roy, Andre J; Laimon, Sara (Winter)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Laimon, Sara; Huang, Yai-Yun (Fall) Kolomyjec, Joanne; Box, James; Forget, Normand; Howes, Heather L; Gaudreault, Jean; Levesque, Stephane; Zirbel, John; Aldrich, Simon; Martin, David R; Desgagne, Alain; Laimon, Sara; Hashimoto, Kyoko; Mdivani, Marina; Gavrilova, Julia; Zuk, Luba; Bibace, Kenneth; Bolduc, Remi; Clayton, Greg; Grott, David; Hollins, Fraser; Di Lauro, Ronald; Lozano, Francisco J; Haimovitz, Matt; Dolin, Elizabeth; Roberts, Richard Allen; Lambert, Frederic; Carroll, Edward; Williams, Thomas; Antonio, Garry M W; White, Andre; Jarczyk, Jan; Sullivan, Joseph Leo; Doxas, Chester; Roney, John; Stevenson, Francois; Rager, Joshua; Sylvan, Sanford; Karlicek, Martin; Krejcar, Jan; Wan, Andrew; Dix, Trevor; Doxas, Dimitrios; Fewer, Mark; Crowley, Robert; Hutchins, Timothy; Huang, Yai-Yun; Marandola, Fabrice; McCann, Christopher; Algie, Stephen Michael; Lupien, Denise; Jimenez, Carlos Alberto; Purdy, Winston; Mahar, William V; Dunn, Andrew; Popescu, Maria-Caliopi; Johnson, Alexander David; Roy, Andre J; Lee, Ranee Y; Kestenberg, Abe; Knox, Hank (Winter)
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2010, Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: White, Andre; Jarczyk, Jan; Bibace, Kenneth; Sullivan, Joseph Leo; Doxas, Chester; Kennedy, Donald Leyland; Clayton, Greg; Hollins, Fraser; Di Lauro, Ronald; Couture, Jocelyn; McCann, Christopher; Doxas, Dimitrios; Rager, Joshua; Dean, Kevin (Fall) Laimon, Sara (Winter)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Jarczyk, Jan (Fall) White, Andre; Jarczyk, Jan; Bibace, Kenneth; Kennedy, Donald Leyland; Doxas, Chester; Clayton, Greg; Hollins, Fraser; Di Lauro, Ronald; Couture, Jocelyn; McCann, Christopher; Rager, Joshua; Dean, Kevin; Amirault, Steve; Amirault, Greg G; Doxas, Dimitrios; Grott, David; Popescu, Maria-Caliopi (Winter)
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2010, Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: White, Andre; Jarczyk, Jan; Amirault, Steve; Doxas, Chester; Kennedy, Donald Leyland; Bolduc, Remi; Hollins, Fraser; McCann, Christopher; Stevenson, Francois (Fall) Jarczyk, Jan; McCann, Christopher (Winter)
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2010, Winter 2011
Instructors: Lozano, Francisco J; Bolduc, Remi (Fall) Jarczyk, Jan; Amirault, Steve; Doxas, Chester; Kennedy, Donald Leyland; Bolduc, Remi; Hollins, Fraser; McCann, Christopher; Stevenson, Francois; Walkington, Alec; Lozano, Francisco J; Gossage, David Mark (Winter)
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Winter 2011
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Large Ensemble during the first four terms (2 credits x 4 semesters).
27 credits of complementary performance selected as follows:
12 credits from:
Ensemble : .
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2010, Winter 2011
Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2010, Winter 2011
Instructors: Knox, Hank (Fall) Knox, Hank (Winter)
Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Dagenais, Jonathan (Fall) Dagenais, Jonathan (Winter)
Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).
Terms: Fall 2010, Winter 2011
Instructors: Sullivan, Joseph Leo; Bolduc, Remi (Fall) Sullivan, Joseph Leo; Bolduc, Remi (Winter)
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2010, Winter 2011
Instructors: Ouimet, Francois (Fall) Wachner, Julian; Ouimet, Francois (Winter)
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Gort, Cristian; Lavoie, Jean-Michaël (Fall) Gort, Cristian; Wachner, Julian; Bard, Shalom (Winter)
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Di Lauro, Ronald; Foote, Gordon; Danderfer, James (Fall) Di Lauro, Ronald; Foote, Gordon; Danderfer, James (Winter)
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
Assigned small ensemble - during every term of enrolment as a full-time or part-time student.
6 credits (1 cr. per term) from:
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Robinson, Brian; McNabney, Douglas; Antonio, Garry M W; Devuyst, Russell; Crowley, Robert; Gaudreault, Jean; Christie, Carolyn; Shuter, Cindy; Dolin, Elizabeth; Williams, Thomas; Crow, Jonathan; Carroll, Edward; Roy, Andre J; Haimovitz, Matt; Dyachkov, Yegor; Kestenberg, Abe; Swartz, Jennifer; Huang, Yai-Yun; Forget, Normand; Miller, Dennis; Klopoushak, Carissa; Dunn, Andrew; Hashimoto, Kyoko; Desgagne, Alain; Smith, Tracy (Fall) Robinson, Brian; McNabney, Douglas; Antonio, Garry M W; Swartz, Jennifer; Roy, Andre J; Dolin, Elizabeth; Roberts, Richard Allen; Dyachkov, Yegor; Westell, Emily; Klopoushak, Carissa; Hashimoto, Kyoko; Dunn, Andrew; Gaudreault, Jean; Devuyst, Russell; Carroll, Edward; Miller, Dennis; Shuter, Cindy; Forget, Normand; Kestenberg, Abe; Huang, Yai-Yun; Smith, Tracy; Crow, Jonathan (Winter)
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2010, Winter 2011
Instructors: Kinslow, Valerie; Plouffe, Helene; Bergeron, Sylvain; Michaud, Natalie; MacMillan, Elizabeth H; Beghin, Tom (Fall) Beghin, Tom; MacMillan, Elizabeth H; Kinslow, Valerie; Michaud, Natalie; Bergeron, Sylvain; Plouffe, Helene (Winter)
Ensemble : Exploration of the vast literature for sonatas with piano and instrument, including multiple issues of ensemble preparation and performing.
Terms: Fall 2010, Winter 2011
Instructors: Hashimoto, Kyoko; Fewer, Mark (Fall) Hashimoto, Kyoko; Fewer, Mark (Winter)
Ensemble : .
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Ensemble : .
Terms: Fall 2010, Winter 2011
Instructors: Huang, Yai-Yun; Marandola, Fabrice (Fall) Huang, Yai-Yun (Winter)
9 credits from:
MUEN courses at the 400 or 500-level (maximum of 4 credits)
Practical Instrument : Performance by memory before jury of a concerto from the Classical period.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Rudiments based on the French, Swiss, American and British styles.
Terms: Winter 2011
Instructors: Marandola, Fabrice (Winter)
Performance : Excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: Fall 2010
Instructors: Dunn, Andrew (Fall)
Performance : Additional excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Improvisation from its use in the early baroque to present day repertoire.
Terms: Winter 2011
Instructors: Fewer, Mark (Winter)
Performance : The pedagogy of string playing through performing techniques and instructional materials including: etudes, scale systems and graded repertoire for technical and musical advancement on the specific instrument.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Basic hand drumming techniques and rhythmic patterns based on world music traditions.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Additional excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : The pedagogy of woodwind playing through performing techniques and instructional materials including: etudes and scale systems and graded repertoire for technical and musical advancement on the specific instrument.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Additional excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: Winter 2011
Instructors: Dunn, Andrew (Winter)
Performance : An introduction to the pedagogy of brass playing through performing techniques and instructional materials including: etudes, scale systems and graded repertoire for technical and musical advancement on the specific instrument.
Terms: Fall 2010
Instructors: Dunn, Andrew (Fall)
Performance : Advanced excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Extended techniques for strings; including physical production, original etudes and transcriptions toward the development, mastery and performance of each technique.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Topics ranging from orchestral literature to solo repertoire.
Terms: Winter 2011
Instructors: Huang, Yai-Yun; Marandola, Fabrice (Winter)
Performance : Advanced excerpts from the standard orchestral literature, highlighting favorite audition materials of the major symphony orchestras, including concentration techniques and the mental attitude involved in taking successful auditions, and the expectations demanded of them in the professional world of orchestras.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : Extended techniques for woodwinds; including physical production, original etudes and transcriptions toward the development, mastery and performance of each technique.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Performance : An investigation into the area of extended techniques for brass; physical production, original etudes, and transcriptions toward the development, mastery, and performance of each technique.
Terms: Winter 2011
Instructors: Dunn, Andrew (Winter)
Performance : For details, contact the Department of Performance.
Terms: Fall 2010, Winter 2011
Instructors: Lussier, Mathieu; Cumming, Julie Emelyn; Danderfer, James; McMahon, Michael (Fall) Cumming, Julie Emelyn; Wachner, Julian; McMahon, Michael; Beghin, Tom; Sylvan, Sanford; Kestenberg, Abe (Winter)
Performance : For details, contact the Department of Performance.
Terms: Fall 2010, Winter 2011
Instructors: Cossette, Isabelle; Hauser, Rudolf-Alexius; Roy, Andre J (Fall) Hauser, Rudolf-Alexius; McMahon, Michael (Winter)
Performance : For details, contact the Department of Performance.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
16 credits of required courses selected as follows:
9 credits of Theory
4 credits of Musicianship
3 credits of Music History
9 credits
Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
4 credits
Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
3 credits
Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.
Terms: Winter 2011
Instructors: Kok, Roe-Min (Winter)
2 credits from:
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
6 credits
(courses with a MUHL or MUPP prefix)
Percussionists must include:
Music History and Literature : Appearance and evolution of such post-war phenomena as total serialism, "chance" music of various kinds, and electronic music as seen in major figures such as Boulez, Stockhausen, Cage and others in Europe and the United States. Important developments during the 1960s. Rise of "minimalism" and "neo-Romanticism" during the 1970s and 80s.
Terms: This course is not scheduled for the 2010-2011 academic year.
Instructors: There are no professors associated with this course for the 2010-2011 academic year.
(May not include courses with a MUEN prefix.)