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Note: This is the 2011–2012 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Note: This is the 2011–2012 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
41 credits, select all the courses below:
Practical Instrument
Terms: Fall 2011, Winter 2012
Instructors: Mdivani, Marina; Quarrington, Joel Andrew; Lussier, Mathieu; Hashimoto, Kyoko; Box, James; Crow, Jonathan; Roy, Andre J; Grew, John; Kutan, Aline; Eriksson, Erik; Forget, Normand; Kolomyjec, Joanne; Knox, Hank (Fall) Crow, Jonathan (Winter)
1.5 hours
Prerequisite: admission to the Artist Diploma program by audition.
Practical Instrument : .
Terms: Winter 2012
Instructors: Crow, Jonathan; Roy, Andre J; Grew, John; Kutan, Aline; Eriksson, Erik; Forget, Normand; Kolomyjec, Joanne; Knox, Hank; Mdivani, Marina; Hashimoto, Kyoko; Lussier, Mathieu; Box, James (Winter)
1.5 hours
Prerequisite: MUIN 460
Practical Instrument : .
Terms: Fall 2011, Winter 2012
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Practical Instrument
Terms: Fall 2011, Winter 2012
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Practical Instrument
Terms: Fall 2011, Summer 2012
Instructors: Boudreault-Sevadjian, Therese; Haimovitz, Matt; Manker, Brian; Yazdanfar, Ali; Mdivani, Marina; Sylvan, Sanford; McMahon, Michael; Lussier, Mathieu; Hashimoto, Kyoko; Roy, Andre J (Fall) Eriksson, Erik (Summer)
1.5 hours
Prerequisite: MUIN 461
Practical Instrument : .
Terms: Fall 2011, Winter 2012
Instructors: Mdivani, Marina (Fall) Mdivani, Marina; Sylvan, Sanford; McMahon, Michael; Lussier, Mathieu; Hashimoto, Kyoko; Roy, Andre J; Boudreault-Sevadjian, Therese; Haimovitz, Matt; Manker, Brian; Yazdanfar, Ali (Winter)
1.5 hours
Prerequisite: MUIN 560
Practical Instrument : .
Terms: Fall 2011, Winter 2012, Summer 2012
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Practical Instrument
Terms: Fall 2011, Winter 2012
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Practical Instrument : A course in which the performer will have individual coaching sessions on repertoire, with emphasis on musical and linguistic nuance.
Terms: Fall 2011, Winter 2012
Instructors: Gonthier, Esther; Nigrim, Dana; Knox, Hank; Kinslow, Valerie; McMahon, Michael; Hansen, Patrick (Fall) Gonthier, Esther; McMahon, Michael; Knox, Hank (Winter)
(1 hour)
Practical Instrument
Terms: Fall 2011, Winter 2012
Instructors: Hansen, Patrick; Gonthier, Esther; McMahon, Michael; Knox, Hank (Fall) Kinslow, Valerie; McMahon, Michael; Hansen, Patrick; Knox, Hank; Gonthier, Esther (Winter)
(1 hour)
Performance : Emphasis on vocal performance practices through practical application: text, language, inflection, pronunciation and interpretation considered with individuality of each student's voice and technical development. After examining historical treatises, students will discuss and present musical selections utilizing modern performance standards yet remaining true to stylistic demands of each period.
Terms: Winter 2012
Instructors: Schmithusen, Ingrid (Winter)
3 hours
Restriction: Not open to students who have taken MUPG 690.
Large Ensemble Training - during every term of enrolment as a full-time or part-time student.
8 credits from:
Ensemble : Coachings, rehearsals, stagings, technical/dress rehearsals in the theatre, and performances in front of an audience.
Terms: Fall 2011, Winter 2012
Instructors: Hansen, Patrick (Fall) Hansen, Patrick (Winter)
2 hours
Prerequisite: Audition
For undergraduates voice majors students cast in roles in Opera 9IÖÆ×÷³§Ãâ·Ñ productions.
Ensemble : .
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2011, Winter 2012
Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Normally open only to Voice and Piano Performance students. Study of the standard song repertoire with emphasis on the singer and pianist as partners. A public recital will be given at the end of each term.
Terms: Fall 2011, Winter 2012
Instructors: McMahon, Michael (Fall) McMahon, Michael (Winter)
2 hours
Prerequisite: Audition.
Ensemble : .
Terms: Fall 2011, Winter 2012
Instructors: McMahon, Michael (Fall) McMahon, Michael (Winter)
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2011, Winter 2012
Instructors: Bergeron, Sylvain; Maute, Matthias; MacMillan, Elizabeth H; Kinslow, Valerie; Michaud, Natalie; Plouffe, Helene (Fall) Kinslow, Valerie; Beghin, Tom; Bergeron, Sylvain; Michaud, Natalie; Plouffe, Helene; Maute, Matthias; MacMillan, Elizabeth H (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.
Terms: This course is not scheduled for the 2011-2012 academic year.
Instructors: There are no professors associated with this course for the 2011-2012 academic year.
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2011, Winter 2012
Instructors: Maute, Matthias; Schubert, Peter N; Ouimet, Francois (Fall) de Souza, Jordan James; Ouimet, Francois (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
Ensemble : .
Terms: Fall 2011, Winter 2012
Instructors: Gort, Cristian (Fall) Gort, Cristian; de Souza, Jordan James (Winter)
4 hours
Prerequisite: Audition.
10 credits selected as follows:
6 credits of Theory
4 credits of Musicianship
Music Theory and Analysis : Expanded harmonic resources of the late 19th century (e.g., foreign modulation, chromatic harmony). Analysis of characteristic small and large forms. Development of writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
Terms: Fall 2011, Summer 2012
Instructors: Biamonte, Nicole; Rusch, René; Wild, Jonathan (Fall) Mariner, Justin B (Summer)
Music Theory and Analysis : Exploration of 20th-century systems of pitch organization and attitudes toward counterpoint (e.g., polytonality, modal systems, neo-classical tonality, serialism, linear counterpoint, etc.). Examination of the relationship of these systems to earlier practices. Development of written and analytical skills for the purpose of gaining insight into 20th-century principles and techniques.
Terms: Winter 2012, Summer 2012
Instructors: Neidhofer, Christoph (Winter) Mariner, Justin B (Summer)
3 hours
Prerequisite: MUTH 310
Musicianship : Rhythm (mixed divisions, basic polyrhythms); Isolated Sonorities (dominant ninths, thirteenths, diminished sevenths, augmented sixths); chromaticism, mixture, enharmonicism in 19th-century Tonal Melodic Structures; Atonal Structures (extended melodies with basic cells); instrumental-texture Multipart Structures; Harmonic Progression with early 19th-century uses of chromatic chords; Score Reading (19th-century repertoire).
Terms: Fall 2011, Summer 2012
Instructors: Mariner, Justin B; Davidson, Thomas; Asly, Monica; Mather, Pierrette (Fall) Asly, Monica (Summer)
Musicianship : Rhythm (20th-century practices); Isolated Sonorities (trichordal set-classes); chromatically-complex shorter or longer common-practice Tonal Melodic Structures; Atonal Structures (20th-century repertoire items); two-part 20th-century Multipart Structures; Harmonic Progression with late 19th-century chromatic and extended-modulatory paradigms; Score Reading (20th-century repertoire).
Terms: Fall 2011, Winter 2012
Instructors: Mather, Pierrette (Fall) Mariner, Justin B; Mather, Pierrette; Asly, Monica (Winter)
6 credits selected from courses with a MUHL or MUPP prefix. These may include MUHL 362 or MUHL 393, but not both.