Wirth Vocal Prize Award Recipients
2021 -2022 Finalists and Semi-Finalists
Elisabeth Saint-Gelais (Winner)
Where are you from, or where do you call home?
Home for me is Saguenay, where my sisters and my mother live. Montreal is my second home that I have happily adopted.
What is an essential part of making music for you?
Healing by singing and communicating emotions to people to allow them to be open to Art.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
Jazz jazz jazz!
How does music connect you to the community?
Music is all about connection! It鈥檚 a deep experience with yourself, teachers, musicians, and audience. For me, with music, it all comes together.
What would being named the winner of the Wirth Vocal Prize enable you to do?
I would feel safer to travel next year and could do more Young Artist Program (YAPs) auditions without worrying about money. It would actually help me to travel more for auditions!
What鈥檚 a recent musical discovery you鈥檝e made?
I discovered a couple years ago that there were indigenous composers across Canada who compose Opera, often based on indigenous stories or legends. As a First Nations myself, I find it completely wonderful that I can interpret the work of those composers in their nation鈥檚 languages which are different than my own, the Innu-aimun.
What鈥檚 next for you?
I'll be in Hamilton in March 2022 recording The Potawatomi by Barbara Assiginaak, an amazing Anishnaabe composer. I'll do the role of Marianne. Also, I am going to Berlin this summer perform the role of Rosalinde in Die Fledermaus at Berlin Opera Academy.
Alexis Reed
Where are you from, or where do you call home?
I am from Eden Prairie, Minnesota, USA.
What is an essential part of making music for you?
An essential part of music-making for me is storytelling. When I sing, I want the audience to feel like they are on a journey with me. It's exciting and rewarding for both the singer and the audience to feel that energy and emotional connection.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
My dad raised me on high-energy alternative indie and rock music. I don't think many would expect me to be listening to that if they passed me on the street!
How does music connect you to the community?
Music has always been my greatest connection to the community. As a child, my parents made up songs to sing to me and I did the same for them. I grew up always telling them to turn up the volume so we could scream along to the radio. I joined choirs early on in life, and by high school, music was my main source of connection to others. All of my closest friends were involved in choir, band, or musical theater, but even my friends who weren't involved in those things understood the power of music. I quickly learned that music is an art that everyone, from any background, can appreciate. It transcends. If you start a conversation by asking someone what music they like to listen to, you're likely to spark a passionate conversation and learn something new about them.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Being named the winner of the Wirth Vocal Prize would allow me to pay off student debt and invest in future lessons, coachings, auditions, competitions, and travel fees. These costs can quickly add up as a young artist who is fresh out of school and trying to establish a career. It would be life-changing to have the award money to put myself out there and audition for as many opportunities as I can within the next few years in order to jump-start my professional career.
If you could meet any of the composers on your program, who would it be? What would you want to know?
What a challenging decision! I have reasons for wanting to meet all of them. I would like to meet and learn from Britten because I have worked on two of his operas and would love to learn from and work with him directly. Massenet and Strauss have an incredible output of some of the most exquisite opera and song, and I would love to talk with them about their musical world-building. I also want to meet Undine Smith Moore, a Black American composer and professor who produced music and writings that fascinate and inspire; a woman who has been overlooked by history and deserves to be heard. However, if I could only choose one, it would have to be Mozart. He is the most well-known name in classical music today and his works hold up as some of the best of all time. What would he think of this? How would he feel about how classical music has developed since the 18th century? What would he say if he saw a modern production of his works? We learn so much about Mozart in school, but the more answers I get, the more questions I have!
What鈥檚 next for you?
I look forward to spending this summer at the Chautauqua Opera Conservatory, where I will perform in a production of Mozart's Don Giovanni, take lessons and coachings from the world-renowned faculty, and perform in masterclasses and recitals. I plan to spend the fall working and auditioning for young artist and resident artist programs across North America. For the first time in my life, I will not be a student. It's stressful to not have every little aspect of my life planned out ahead of time, but I am excited to see what the future holds!
Kelsey Ronn
Where are you from, or where do you call home?
I was born and raised in Saskatoon, Saskatchewan. Go Riders! However, I have many places that I call my home. For instance, Waskesiu Lake, Saskatoon, Winnipeg and Montreal are some to name a few.
What is an essential part of making music for you?
Collaboration and storytelling by far! They are both equally essential for me. A story is always stronger when it is told by more than one person and by sharing stories, it inspires others to tell their own.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
I don鈥檛 believe there is anything on my playlist that someone would find completely shocking. However, they may discover that it is super diverse. Nevertheless, an artist I've really been enjoying lately is H.E.R. Go listen to, "Best Part" and tell me what you think.
How does music connect you to the community?
Since music is such a universal language, I believe it allows me to connect with my community on a mental, physical and spiritual level. A melody they hear might remind them of a person, place, thing, or idea. Isn't music so flippin' cool?
What would being named the winner of the Wirth Vocal Prize enable you to do?
My goodness! Winning the Wirth Vocal Prize would be such an honour. Not only would it enable me to cultivate my career outside of Canada, but it would significantly help with paying off pesky student loans.
If you could meet any of the composers on your program, who would it be? What would you want to know?
I would love to meet Tom Cipullo! I would simply want to talk to him about his process and tell him how beautiful his music is.
What鈥檚 next for you?
I'm thrilled about my goals for the future. I'm ready to increase my profitability as an artist by getting my life coaching certification from the ICF (International Coach Federation), and I'm ready to show the opera world what I'm made of.
2021 - 2022 Semi-Finalists
Ruth Acheampong
Where are you from, or where do you call home?
I was born and raised in Toronto, Ontario.
What is an essential part of making music for you?
This might sound weird. Sometimes, when I sing or listen to music, I get butterflies in my stomach. This usually means that I really love the music, or that I am afraid of it. Or both. If the music doesn't give me that feeling, I don't sing it.听
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
I think one would be surprised by the eclectic nature of my playlist. It goes from Lauryn Hill to The Wailin' Jennys to Stephen Schwartz.
How does music connect you to the community?
Music allows me to be honest and vulnerable. I believe that honesty and vulnerability are necessary to connect with and support the people around me.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Winning the Wirth Vocal Prize would be a great honour. To be recognized by the Schulich community would be truly heartwarming! The Wirth Vocal Prize would help support my training and eventually help me pursue my career goals to share myself and my voice with the world.
If you could meet any of the composers on your program, who would it be? What would you want to know?
I might want to meet Debussy and ask him his opinions on jazz. I feel like his style of composition might lend itself well to jazz.
What鈥檚 next for you?
I have a cool film project coming up. I will also be competing as a semifinalist in another competition in March. Other than that, I expect to graduate from 9I制作厂免费 in the spring, continue making beautiful music and share my passion with others.
Wesley Harrison
Where are you from, or where do you call home?
I'm from Windsor ON, Canada
What is an essential part of making music for you?
For me, an essential part of making music is being vulnerable in how you express and sing.
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What鈥檚 something someone might be surprised to find on your playlist?
I've started listening to a bit of punk music lately.
How does music connect you to the community?
I find music gives me the opportunity to share with others and to explore a moment of expression together. I also see it as an opportunity to hear the voices and stories of other queer artists of colour as well as other minorities we may not hear from as frequently.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Being named winner of the Wirth Vocal Prize would create the most perfect springboard for me to begin a career with no student debt and many more resources available to take the next steps I need.
If you could meet any of the composers on your program, who would it be? What would you want to know?
I would like to meet Gregory Spears and ask him about his experiences in introducing more queer stories to opera.
What鈥檚 next for you?
After graduating this year I plan to continue studying privately as well as to travel and begin my audition process.
Evan Lindberg
Where are you from, or where do you call home?
I grew up In Calgary, Alberta.
What is an essential part of making music for you?
Imagination! I love how music making allows audiences and performers alike to tap into our imaginations in a way we rarely get to in our day-to-day lives.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
Jeff Buckley's heartbreaking cover of Dido's Lament (it's unrivaled!)
How does music connect you to the community?
One of the things I love about the performing arts is the way they gather people together in community to explore our shared humanity. It's one of the things I think we've all missed the most during the pandemic.
What would being named the winner of the Wirth Vocal Prize enable you to do?
A passion of mine is the creation of innovative and dynamic recital programs. In the next few years, I am interested in developing collaborative, accessible, intimate, and site-specific recitals and projects that highlight the work of local artists. The Wirth Vocal Prize, in addition to being a tremendous resource for my development as an emerging artist, would allow me to invest in producing projects that I am passionate about, and that feature work by contemporary composers and writers.
If you could meet any of the composers on your program, who would it be? What would you want to know?
I would say Benjamin Britten. His intuitive knack for writing operas that work so well as pieces of theatre is unparalleled. I would be curious to hear his advice for creating work in the 21st Century that continues to nourish and enhance the ways we approach storytelling through music.
What鈥檚 next for you?
I will be venturing to a few summer opportunities before taking the next year to do some auditions in Canada and abroad, as well as continuing to create and perform locally as much as possible.
Colin Mackey
Where are you from, or where do you call home?
St. John's, Newfoundland and Labrador
What is an essential part of making music for you?
Essential parts of music making for me are collaboration and vulnerability. We are best when are vulnerable, fully available to the art and open to input and collaboration from our mentors and colleagues.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
ABBA. Those who know me, know that I love ABBA but those who don't may be surprised to hear that I have been in the top 0.5% of ABBA streamers on Spotify for two years now. ABBA was the music of my childhood, from having family over to road trips. It has provided a happy respite amidst the challenges and isolation of the last couple of years.
How does music connect you to the community?
I am lucky to have a very supportive network of friends and family that watch and listen to my performances even from afar. This helps me to stay connected to my community. I am also fortunate to come from a background of community music making, from community choirs to church choirs. This background has provided me with some of my most valuable relationships that I constantly rely on, no matter what genre of music I am currently studying and performing.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Winning the Wirth Vocal Prize would be an incredible honour and would allow me to pursue the next stage of my education and career. I am currently deciding on where to continue my education in the form of a Performance Diploma. The Wirth Vocal Prize would allow me to pursue this next step with much more ease.
If you could meet any of the composers on your program, who would it be? What would you want to know?
If I could meet any composer on my program, it would be either Schubert or Mahler. Coming from a childhood influenced by folk song, I have always found parallels between folk song and lieder, especially ballads. I would specifically like to know more about what inspired both composers to write what could arguably be each of their most significant works, for Schubert, his 贰谤濒办枚苍颈驳 and for Mahler, his Lieder eines fahrenden Gesellen.
What鈥檚 next for you?
Next for me is Opera 9I制作厂免费鈥檚 performance of Handel鈥檚 Orlando at the end of March, followed by final classes and the recitals for our Song Interpretation classes. After that I am still planning. I am currently applying to summer programs and sorting out where I will continue my studies. Next year my hope is to pursue a Performance Diploma at either the Schulich School of Music of 9I制作厂免费 or at the Glenn Gould School of the Royal Conservatory of Music in Toronto.
Alexis Reed
Where are you from, or where do you call home?
I am from Eden Prairie, Minnesota, USA.
What is an essential part of making music for you?
An essential part of music-making for me is storytelling. When I sing, I want the audience to feel like they are on a journey with me. It's exciting and rewarding for both the singer and the audience to feel that energy and emotional connection.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
My dad raised me on high-energy alternative indie and rock music. I don't think many would expect me to be listening to that if they passed me on the street!
How does music connect you to the community?
Music has always been my greatest connection to the community. As a child, my parents made up songs to sing to me and I did the same for them. I grew up always telling them to turn up the volume so we could scream along to the radio. I joined choirs early on in life, and by high school, music was my main source of connection to others. All of my closest friends were involved in choir, band, or musical theater, but even my friends who weren't involved in those things understood the power of music. I quickly learned that music is an art that everyone, from any background, can appreciate. It transcends. If you start a conversation by asking someone what music they like to listen to, you're likely to spark a passionate conversation and learn something new about them.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Being named the winner of the Wirth Vocal Prize would allow me to pay off student debt and invest in future lessons, coachings, auditions, competitions, and travel fees. These costs can quickly add up as a young artist who is fresh out of school and trying to establish a career. It would be life-changing to have the award money to put myself out there and audition for as many opportunities as I can within the next few years in order to jump-start my professional career.
If you could meet any of the composers on your program, who would it be? What would you want to know?
What a challenging decision! I have reasons for wanting to meet all of them. I would like to meet and learn from Britten because I have worked on two of his operas and would love to learn from and work with him directly. Massenet and Strauss have an incredible output of some of the most exquisite opera and song, and I would love to talk with them about their musical world-building. I also want to meet Undine Smith Moore, a Black American composer and professor who produced music and writings that fascinate and inspire; a woman who has been overlooked by history and deserves to be heard. However, if I could only choose one, it would have to be Mozart. He is the most well-known name in classical music today and his works hold up as some of the best of all time. What would he think of this? How would he feel about how classical music has developed since the 18th century? What would he say if he saw a modern production of his works? We learn so much about Mozart in school, but the more answers I get, the more questions I have!
What鈥檚 next for you?
I look forward to spending this summer at the Chautauqua Opera Conservatory, where I will perform in a production of Mozart's Don Giovanni, take lessons and coachings from the world-renowned faculty, and perform in masterclasses and recitals. I plan to spend the fall working and auditioning for young artist and resident artist programs across North America. For the first time in my life, I will not be a student. It's stressful to not have every little aspect of my life planned out ahead of time, but I am excited to see what the future holds!
Kelsey Ronn
Where are you from, or where do you call home?
I was born and raised in Saskatoon, Saskatchewan. Go Riders! However, I have many places that I call my home. For instance, Waskesiu Lake, Saskatoon, Winnipeg and Montreal are some to name a few.
What is an essential part of making music for you?
Collaboration and storytelling by far! They are both equally essential for me. A story is always stronger when it is told by more than one person and by sharing stories, it inspires others to tell their own.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
I don鈥檛 believe there is anything on my playlist that someone would find completely shocking. However, they may discover that it is super diverse. Nevertheless, an artist I've really been enjoying lately is H.E.R. Go listen to, "Best Part" and tell me what you think.
How does music connect you to the community?
Since music is such a universal language, I believe it allows me to connect with my community on a mental, physical and spiritual level. A melody they hear might remind them of a person, place, thing, or idea. Isn't music so flippin' cool?
What would being named the winner of the Wirth Vocal Prize enable you to do?
My goodness! Winning the Wirth Vocal Prize would be such an honour. Not only would it enable me to cultivate my career outside of Canada, but it would significantly help with paying off pesky student loans.
If you could meet any of the composers on your program, who would it be? What would you want to know?
I would love to meet Tom Cipullo! I would simply want to talk to him about his process and tell him how beautiful his music is.
What鈥檚 next for you?
I'm thrilled about my goals for the future. I'm ready to increase my profitability as an artist by getting my life coaching certification from the ICF (International Coach Federation), and I'm ready to show the opera world what I'm made of.
脡lisabeth Saint-Gelais
Where are you from, or where do you call home?
Home for me is Saguenay, where my sisters and my mother live. Montreal is my second home that I have happily adopted.
What is an essential part of making music for you?
Healing by singing and communicating emotions to people to allow them to be open to Art.
Learn more
What鈥檚 something someone might be surprised to find on your playlist?
Jazz jazz jazz!
How does music connect you to the community?
Music is all about connection! It鈥檚 a deep experience with yourself, teachers, musicians, and audience. For me, with music, it all comes together.
What would being named the winner of the Wirth Vocal Prize enable you to do?
I would feel safer to travel next year and could do more Young Artist Program (YAPs) auditions without worrying about money. It would actually help me to travel more for auditions!
What鈥檚 a recent musical discovery you鈥檝e made?(Composer, piece, approach, perspective, minutia, fun fact 鈥 anything!)
I discovered a couple years ago that there were indigenous composers across Canada who compose Opera, often based on indigenous stories or legends. As a First Nations myself, I find it completely wonderful that I can interpret the work of those composers in their nation鈥檚 languages which are different than my own, the Innu-aimun.
What鈥檚 next for you?
I'll be in Hamilton in March 2022 recording The Potawatomi by Barbara Assiginaak, an amazing Anishnaabe composer. I'll do the role of Marianne. Also, I am going to Berlin this summer perform the role of Rosalinde in Die Fledermaus at Berlin Opera Academy.
听
Christina Thanisch-Smith
Where are you from, or where do you call home?
Born/early life in Fredericton, New Brunswick, raised in Winnipeg, Manitoba!
What is an essential part of making music for you?
The synthesis of speech and song in vocal music is so special to me. Using the human voice to express emotions and tell stories is what keeps me coming back day after day. I have the unique opportunity of serving audiences with music that hopefully challenges them, comforts them, brings them laughter, joy, and even some tears. We cannot deemphasize the power music has!
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What鈥檚 something someone might be surprised to find on your playlist?
Tony Bennett and Lady Gaga released an album of jazz standards together, and though I was skeptical at first, I always have a ton of fun listening to the two of them sing together.
How does music connect you to the community?
Raised in Winnipeg, I grew up in a vibrant and diverse music scene. From liturgical music, to the countless choral ensembles, the city鈥檚 annual Folklorama festivals, the Winnipeg Folk Fest, and the classical music communities, music was always at the core of the city. Because of this, I always loved when I could study a new composer or genre of music as it helped me get to know the people in my city and my country. My family is spread out across North America and Europe, yet sharing my music with them makes the distance seem less apparent. As musicians, we have the opportunity to put our talents and hard work together to create art for our communities. As clich茅 as the saying is, there is truth to the saying 鈥渨hen words fail, music speaks.鈥
What would being named the winner of the Wirth Vocal Prize enable you to do?
Winning the 2021-2022 Wirth Vocal Prize would be life changing for me. My time at 9I制作厂免费 has been amazing, and to receive this award would mean so much. The time period between school and beginning a professional career is so important, yet can be financially tiresome. It is filled with traveling for international audition tours, paying for private lessons and coachings, reserving time for ample practicing and role study, getting contracts (both small and more substantial) and continuing one鈥檚 overall artistic and technical development, to name a few. The list is endless. If selected as the winner, I would put the earnings from the Wirth Vocal Prize towards such activities beginning in September 2022!
If you could meet any of the composers on your program, who would it be? What would you want to know?
Definitely Amy Beach. Similarly to other female composers and musicians of her time, her musical achievements were often diminished, disguised, or altogether ignored. I only wish that she, and other women with similar histories, could see how women in music are being honoured today.
What鈥檚 next for you?
I鈥檓 delighted to be the soloist for the 9I制作厂免费 Symphony Orchestra鈥檚 concert on April 7, 2022. We will be performing Mahler鈥檚 Symphony No. 4, which includes a beautiful soprano solo as the last movement.
2020 -2021 Finalists and Semi-Finalists
Emily Richter (Winner)
Where do you call home?
I'm originally from Arlington,VA, but I come from a Foreign Service family, so I grew up moving all over the world from Armenia to London. My family most recently lived in Tokyo.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Winning the Wirth Prize would be monumental in being able to start a career in music. I'd hope to use that savings to be able to really focus on trying to make it in music my first few years after graduation.
Learn more
Who are you studying with and who will be your collaborative pianist?
I study with the lovely Dominique Labelle. I'm collaborating with Rebecca Klassen-Wiebe who was my Song Interpretation Class partner this year!
Do you have a favourite part of your program?
I really love my program and the way it flows together. I really enjoy how the Strauss and Duparc both contrast and complement one another.
What鈥檚 a recent musical discovery you鈥檝e made?
A big thing for me this year has been learning how to let the music lead me. This year in Song Interpretation I've been focusing on Duparc. I think it's really taught me how to trust the music I'm singing and expand into phrases instead of trying to always "make music happen.鈥 I'm learning to receive more from the music I make. It's so tempting to try to "make moments" but sometimes the most beautiful musical moment is when you trust the music to tell you how to phrase.
This has undoubtedly been a challenging year. How has music helped you find connection?
This year singing has been a saving grace. To have a space where I can challenge myself and think creatively has been huge for my mental health. I think learning how to focus on music even when I'm not performing for others as much has really taught me how to thrive on the introspective part of the process.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
Especially in Montreal, I love long walks and exploring new parts of the city. I also love cooking and listening to music. Hopefully, I'll be cooking for my friends soon!
Biography
Emily Richter is a first-year Masters student at the Schulich School of Music of 9I制作厂免费 studying with Dominique Labelle. Originally from Arlington, VA, Emily grew up mostly abroad most recently living in London and Tokyo, she now permanently resides in Arlington, VA. She recently graduated with her BM in Vocal Performance from Lawrence University where she sang the role of Countess in La Nozze di Figaro.听
This past season at 9I制作厂免费, Emily made her Canadian debut as the Governess in The Turn of the Screw. She also sang in the mini-opera A Little Rain must fall (Sonia) and the new opera Vanishing Point (Aida) in collaboration with Musique 3 Femmes. She was recently named an MONC Illinois District Winner.听
In the summer of 2021, she will be an Emerging Artist at Seagle Music Colony. In addition to opera, Emily thoroughly enjoys chamber and choral repertoire and has sung a variety of new works.听 When not singing, Emily can be found exploring the streets of Montreal!听
Jacqueline Woodley (Finalist)
Where do you call home?
Montreal has been home now for 18 years (ah!) But in the summer, I still 鈥済o home鈥 to Lake Huron and hang out in the sand as much as possible.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Pay off debt! haha. I wish I were joking鈥 This would be such a gift though, to be able to breathe, and work less while finishing my degree. Having the honour of singing the recitals is very exciting and receiving the prize itself would mean a lot. I also have a few projects in mind that I鈥檝e been wanting to bring to fruition. I would like to celebrate with a commissioned piece, as I鈥檓 passionate about celebrating living composers and librettists. I think it would be a wonderful moment to finally collaborate with artists I鈥檝e been wanting to work with.
Learn more
Who are you studying with and who will be your collaborative pianist?
I study with Dominique Labelle and Jennifer Szeto is my pianist. She and I have worked many times together so it鈥檚 really wonderful to do this together. I will also collaborate with Sylvain Bergeron on theorbo for my Purcell piece, I鈥檓 really excited!
Do you have a favourite part of your program?
I hate the favourite questions! It鈥檚 never easy to pick just one鈥 I love that this program is a bit quirky because I only picked pieces I love and really wanted to sing. I have both old and new pieces on there - I love the feeling of pulling on an old sweater, and the nervous butterflies of a new piece! I do think the Lori Laitman piece Sitting on the edge is my favourite at the moment. She鈥檚 an American composer and has been so warm and generous in my correspondences with her. The music feels wonderful to sing and the poetry by Margaret Atwood is complex - it鈥檚 fascinating to explore.
What鈥檚 a recent musical discovery you鈥檝e made?
I recently did a Feldenkrais workshop. I have some experience with Alexander Technique and have been enjoying yoga lately, but I finished the workshop feeling like I鈥檇 been singing (well) for an hour when all I had sung was one line of music about 5 times throughout the morning. It was another reminder how much tension the body holds and how free the voice can be when all that is pared away. Now, to start practicing that鈥!
This has undoubtedly been a challenging year. How has music helped you find connection?
Coming back to school this year has been a true gift. Having the opportunity to make music in the same room with others, to have lessons, coachings and rehearsals with such wonderful people has made me feel myself, after months of beginning to feel quite lost. Being able to participate and respond to music being made in the same room has made me feel human and alive again. It seems unthinkable that this is unusual or special鈥 this last year has felt somehow like an eternity. It鈥檚 hard to believe how much I was craving making music. I鈥檝e been so lucky to be able to experience this, being at 9I制作厂免费. On the flip side, strangely, I have felt more connected to friends across the globe, musically speaking, as so many more concerts are being streamed. I鈥檝e been able to connect with music from all over in a way that wasn鈥檛 possible before. That being said, I can鈥檛 wait until we can safely bathe in the sights and sounds of live music!
When you鈥檙e not in preparation and practice mode, how do you disconnect?
Kids.听 As soon as I walk in the door, they drag me from my thoughts and work, and I can delve into home life. I love our cuddles, pizza and movie nights, endless baking, and bike rides. This year though, I鈥檝e also begun doing yoga and that has been a game-changer. I have noticed a big difference in my focus and stress management. So that helps!
Biography
Soprano Jacqueline Woodley has been praised for her fearless versatility, changing styles fluidly from early music to contemporary, from opera to art song. Acclaimed as Milice in Svadba-Wedding (Toronto, San Francisco and Philadelphia), recent performances include Tina in Pacific Opera Victoria鈥檚 Canadian premiere of Jonathan Dove鈥檚 Flight, Daphne and Apollo for Montr茅al Baroque Festival, Ottawa Chamberfest and Toronto Masque Theatre and as a guest soloist in the recurring series 鈥淏ach 翱诲测蝉蝉别测鈥漺颈迟丑 acclaimed violinist Emmanuel Vukovich.
Notable credits include Tapestry Opera鈥檚 searing Oksana G and award-winning 惭鈥檇别补 Undone, Papagena in The Magic Flute and Forest Bird in Siegfried for the Canadian Opera Company, Messiah (National Arts Centre, Edmonton Symphony, Grand Philharmonic Choir, Against the Grain Theatre), a recording of Norbert 笔补濒别箩鈥檚 music with Canadian Art Song Project; and appearances with Montreal Symphony, Edmonton Opera, Vancouver Early Music and Clavecins en Concert.
Jacqueline is in her first year of a music performance doctorate at 9I制作厂免费, from where she also holds a master鈥檚 in opera and was a member of the Canadian Opera Company鈥檚 Ensemble Studio.
Wesley Harrison (Finalist)
Where do you call home?
I grew up in Windsor, ON, Canada.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Being named the winner of the Wirth vocal prize would enable me to further pay for the schooling I love and am trying to pay myself. It would also enable me to take another step towards creating and building upon my singing career.
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Who are you studying with and who will be your collaborative pianist?
I studied with Tracy Smith Bessette in the fall term and Matthew Trevi帽o in the winter term. Esther Gonthier is my collaborative pianist.
Do you have a favourite part of your program?
My favourite part of my program is working with such insightful studio professors as well as the many opportunities that have been made for us singers.
What鈥檚 a recent musical discovery you鈥檝e made?
A recent musical discovery I have made is an incredible amount of release and freedom in my singing and I love how this feels!
This has undoubtedly been a challenging year. How has music helped you find connection?
Music has helped me find connection in many ways this year and I am grateful for that! I have found more connection with my artistic self this year, as well as connection with other students in performances and sharing music we enjoy listening to.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
To disconnect I love being outdoors on either a hike or a long bike ride by the water.
Biography
Wesley Harrison听is a young tenor hailing from Windsor, ON Canada who began his musical听journey with his first piano lessons at the age of 5. As he听matured听he began to sing in children鈥檚听choirs, church choirs, and high school ensembles as well as participating in competitions for听piano and voice such as the Kiwanis music festival.听听
Having graduated from Wilfred Laurier University studying voice performance, he has been able听to enjoy performing with the school as well as collaborate with other musicians and community听ensembles. Wesley has enjoyed the opportunity of performing in musicals and operas such as听L鈥檈lisir听d鈥檃more,听Tender Land, and听footloose听as well as winning first place in the Wilfrid听Laurier听Concerto competition (2019),听first听place in his category for the NATS Ontario vocal competition听(2019), and winning听Most promising singer听at the NATS Ontario vocal competition (2019).听听
Wesley is now enrolled in a 惭补蝉迟别谤鈥檚 of opera and voice performance program at听the Schulich School of Music of听9I制作厂免费听University, and had the opportunity to perform in the Canadian premier of Joseph听Bologne鈥檚听尝鈥檃尘补苍迟听anonyme听as well as take part in opera workshops with local composers. Wesley seeks听to further grow and develop in his vocal training as well as continue to share his passion of music听with the people around him.听
2020-2021 Semi-Finalists
Ariadne Lih
Where do you call home?
Montreal! I grew up here, and I'm planning on staying. It's my favorite city.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Pay reparations to the 碍补苍颈别苍始办别丑谩隇塳补 people, whose land we live on, and other BIPOC communities; take care of professional necessities such as headshots and demo recordings; and devote real time and energy in the coming year to my voice and my projects.
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Who are you studying with and who will be your collaborative pianist?
Currently, I'm working with Anja Strauss, and for the first part of my degree I studied with my longtime teacher, Tracy Smith Bessette. My collaborative pianist is Nate Ben-Horin. I'm very fortunate to collaborate with and learn from such great people and musicians.
Do you have a favourite part of your program?
I love all my pieces, but my favourite is probably the Lili Boulanger. Her music is absolutely stunning, and it's great to sing poetry about women that doesn't objectify women. For me, Clairi猫res dans le ciel (the cycle as a whole) represents a profound narrative about trauma, memory, and grieving one's former self.
What鈥檚 a recent musical discovery you鈥檝e made?
I had never sung any Amy Beach before this year, and it's wonderful how many sides she has a composer, from expansive and hyper-Romantic to supremely delicate and charming.
This has undoubtedly been a challenging year. How has music helped you find connection?
The new Demi Lovato album really speaks to me.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
I pet my cats, Calypso and Galatea.
Biography
Based in Tio'tia:ke (currently known as Montreal) on the lands of the 碍补苍颈别苍始办别丑谩隇塳补 people, Ariadne Lih is a soprano and queer feminist sexual assault survivor who loves cats. She sings opera, oratorio, and chamber music from the earliest notations to the present day, and co-directs The Uncommon Music Festival, where she does her best to make feminist chamber music rooted in land and community.
Currently, you can hear her online with Lucas Harris as part of the Cozzolani Reunited project and with a humpback whale as part of the Conversations with Whales project piloted by the Uncommon Music Festival.
Upcoming projects include the Early Music America Emerging Artists Showcase and the Cit茅 des dames festival in Montreal. She has a B.A. in music from Yale University and a master鈥檚 degree in opera from the Schulich School of Music.听
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Avery Lafrentz
Where do you call home?
I am from Estevan, Saskatchewan and always miss the smell of the fields in summer. However, since moving to Montreal in the Summer of 2019 I feel like it became my home within a few days of arriving.
What would being named the winner of the Wirth Vocal Prize enable you to do?
It would be very worthwhile to me to bring more Art Song and Opera experiences to smaller communities across Canada. As someone from a small prairie town, it would have done wonders to be exposed to more types of singing and artistry happening in my own town. I would use the endowment from the Wirth Prize as a tool to fund the curation and rehearsal process of a new recital. I have ideas about commissioning new works to showcase on this recital, as well as making it a touring recital for the Summer of 2022 or later, depending on the world鈥檚 situation.
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Who are you studying with and who will be your collaborative pianist?
I am really enjoying studying with my current teacher, Professor Dominique Labelle. Esther Gonthier will be performing this program with me.
Do you have a favourite part of your program?
My favorite part of my program is the way the songs transition into one another. I love the journey of atmospheres in the front half of my recital. I will also be singing a song about coming home and being among those who love you after having to be apart, which is something so real in our lives right now. I hope what we will be performing can bring a healing escape to someone.
What鈥檚 a recent musical discovery you鈥檝e made?
I recently discovered that Sergei Rachmaninoff is credited as one of the composers of Celine Dion鈥檚 hit 鈥淎ll By Myself鈥. The songwriter, Eric Carmen, didn鈥檛 realize the concerto wasn鈥檛 out of public domain when he 鈥渂orrowed鈥 from the second movement of Rachmaninoff鈥檚 Piano Concerto no. 2 op. 18. The composer鈥檚 estate flagged it and sued him, and now receives writing credit and 12% of the song鈥檚 royalties. I like that fact so much.
This has undoubtedly been a challenging year. How has music helped you find connection?
Music always keeps me motivated and busy, but this year music helps me find the silence in myself. By grounding me in my body, music allows me to stay alive in the present moment instead of surrendering to the world鈥檚 chaos. The way 9I制作厂免费 has allowed us to keep the doors open to music-making has been the biggest blessing of this year. Creating music with colleagues and faculty was the way I did most of my socializing this year, and I am forever grateful.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
I like to stay curious and be in touch with my inner kid. Right now I am figuring out how to solve a Rubik鈥檚 cube and honing my frisbee skills. I am also watching every Disney animated film ever made to keep up appearances as the 鈥渃ool auntie鈥 with my niece and nephew who are both under the age of seven.
Biography
During the 2020-2021 Opera 9I制作厂免费 season Avery performed the roles of The Governess in Britten's Turn of The Screw and Miss Pinkerton in Menotti's radio opera The Old Maid and the Thief while finishing her 惭补蝉迟别谤鈥檚 degree at 9I制作厂免费. Last season Avery was seen as Vitellia in Mozart's Clemenza di Tito, and Anna Maurrant in Street Scene by Kurt Weill. She will be returning to 9I制作厂免费 this fall enrolled in the Graduate Diploma in Performance to continue working with her extraordinary teacher, Dominique Labelle.听
Aside from her interest in opera, Avery is passionate about Art Song, and was a Professional Fellow at the prestigious art song festival SongFest in Los Angeles in 2019. One of the highlights of this series of concerts was preparing and performing repertoire with composers Jake Heggie, John Musto and Libby Larsen.听
Originally from Saskatchewan, Avery grew up smelling wild clover in the prairie expanse. In her spare time, she draws and paints, as well as dabbles on self-taught ukulele to an audience of the many house plants she has rescued and propagated with her green thumb.听
Jessica Toupin
Where do you call home?
I鈥檓 born and raised in a suburb outside of Boston called Dracut, Massachusetts. Coming to Montr茅al for my Masters was my first time living outside of the state!
What would being named the winner of the Wirth Vocal Prize enable you to do?
To be named the winner of the Wirth Vocal Prize would be an immense honor. As an emerging young artist, the prize would allow me to continue training and traveling for auditions. Especially with the pandemic, it has been difficult to support myself financially and devote myself to the career of being an artist. The financial support would give me the opportunity to apply for and experience training opportunities that might otherwise not be financially feasible.
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Who are you studying with and who will be your collaborative pianist?
I study with the wonderful Dominique Labelle, to whom I am so grateful for. I have the great pleasure of collaborating with Kerry Agnew for this competition. Kerry and I have worked together for two years, and I think she is particularly excited to collaborate live rather than making another track! We鈥檙e looking forward to performing live together again.
Do you have a favourite part of your program?
I have many favorite moments in the program, but perhaps the most sentimental is when we perform 鈥淥h! quante volte鈥 from Bellini鈥檚 I Capuleti e i Montecchi. I stumbled upon classical singing in my senior year of high school, when my voice teacher introduced me to Bellini鈥檚 鈥淪ei Ariette鈥. The beauty and vulnerability of these songs completed changed my path. I changed my college applications from a Math major to a dual degree in Math and Music, just so that I could keep studying and exploring this new love. Bellini鈥檚 music still has a profound effect on me and I鈥檓 happy to be able to share that experience with others, almost 7 years later.
What鈥檚 a recent musical discovery you鈥檝e made?
鈥淢y Darling Jim鈥 from Tom Cipullo鈥檚 Glory Denied is one of my favorite arias and I think it鈥檚 often lost on the audience the depth of the story since we only see the character, Alyce, writing a short letter in this aria. She is writing a letter to her husband, Floyd James Thompson, who was deployed to Vietnam in 1963 for a six-month tour of duty and ended up being the longest Prisoner of War, returning 10 years later in 1973. It鈥檚 a heartbreaking narrative based off of a true story, depicted in Tom Philpott鈥檚 book Glory Denied. Over the course of these nine years, Alyce works to pronounce her husband as dead instead of a Prisoner of War, since the pain is too much for her to bear. I recently read that when asked about why she denied the POW bracelet and rather hired a lawyer to pronounce him dead, she said 鈥淚 wanted to be free to start over鈥.
This has undoubtedly been a challenging year. How has music helped you find connection?
Music has helped me find connection in the community of people and unwavering discipline required in the discipline. Despite not being able to hug or even be together physically, I feel immense support and connection to my musical community at Schulich and back home in the States.
The unwavering discipline required of us, though sometimes exhausting, has been a welcome constant in my life as so many other things seemed uncertain. Technique and score study still require us to be attentive and vulnerable, which bring me great focus and grounding.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
I鈥檝e always taught or tutored Mathematics, which I find to be a great compliment to the life of preparation and practice. I really enjoy working with kids and helping them discover new concepts and build their confidence. When I鈥檓 not working or singing, I like to be in nature. I live close Mont Royal, which has been a total saving grace this past year!
Biography
Jessica Toupin, described as 鈥渁 soft, lyrical voice 鈥 (L鈥橭p茅ra Reveue qu茅b茅coise d鈥檃rt lyrique), made her Canadian debut as Rose Maurrant in Opera 9I制作厂免费鈥檚 production of Kurt Weill鈥檚 Street Scene in 2020. Previously, Jessica was a Festival Artist with Opera Saratoga covering the role of Gretel in Humperdinck鈥檚 H盲nsel und Gretel and a Resident Artist with Opera North covering the role of Antonia in Tales of Hoffmann. Jessica made her international debut with the AIMS Orchestra under the baton of Lukas Beikircher in Graz, Austria in 2017.
In addition to standard repertoire, Jessica enjoys premiering new works, as she did in the fall of 2019 as the soprano soloist in the world premiere of Rapha毛l-Tristan Jouville鈥檚 Du cotton dans les oreilles with the 9I制作厂免费 Contemporary Music Ensemble.
In 2021, Jessica had the distinct honor of winning the Buffalo-Toronto District of the Metropolitan Opera National Council Auditions. In this past season with Opera 9I制作厂免费, Jessica sang the roles of Laetitia in Menotti鈥檚 Old Maid and the Thief and Miss Jessel in Britten鈥檚 The Turn of Screw. She is graduating with her Masters degree in Opera and Voice from the Schulich School of Music under the tutelage of Dominique Labelle.
Olivier Gagnon
Where do you call home?
I have a geographically muddled upbringing in terms of what exactly I call home, having been born in Bermuda and then growing up in Dublin, but Montr茅al is my current home and I'm very happy about it, I really enjoy this city.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Firstly, I imagine I'd gain some valuable name recognition for performing both opera and song repertoire, my two biggest passions. So with that, I'd explore the opportunities that might arise with people who enjoyed my work and hope to connect to more audiences in that way.
Secondly, the financial side of the prize would definitely be a game changer. Ideas I have currently include preparing and touring a full recital to show what I鈥檓 about as an artist, preparing opera roles that I could audition with in Europe and North America, making some good and polished demos of concert music I鈥檇 like to perform to connect with more conductors and organisations.
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Who are you studying with and who will be your collaborative pianist?
My voice teacher is Dominique Labelle and my principal coaches at 9I制作厂免费 are Esther Gonthier and Stephen Hargreaves. The pianist playing with me is Jennifer Szeto.
Do you have a favourite part of your program?Oh my, okay I love my whole set but... I think I have to say I鈥檓 especially excited about performing Hugo Wolf鈥檚 fiery
Der Feuerreiter, as well as Henri Duparc鈥檚 stellar and overwhelming setting of 笔丑颈诲测濒茅.
What鈥檚 a recent musical discovery you鈥檝e made?
I like this question! So I've been really enjoying Caroline Shaw's album of string quartet music called "Orange". It's at times meditative and delicate, and other times really thrilling, also being speckled with tons little quotes from older canonical composers. It's like some sort of vivid dream where you don't exactly know where you鈥檙e going.
This has undoubtedly been a challenging year. How has music helped you find connection?Well, to me the pandemic has made clearer than ever the important place mental health has in being a performer. In digging into some issues I'd being experiencing, I really found that on bad days I can sound like a completely different singer altogether. So in a sense, attending to my mental health is now unquestionably a part of my technique, and I'm very grateful for that.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
I like to go on walks to the river, which I'm lucky to live a 3-minute walk away from, I love to cook all sorts of things, I tend to my houseplants, and I play video games, especially the adventure type of games.
Biography
Irish and Qu茅b茅cois tenor Olivier Gagnon is a graduate of London鈥檚 Guildhall School of Music and Drama, and of Bard College Conservatory鈥檚 Vocal Arts Program in Upstate New York. He is currently studying for a Graduate Artist Diploma at 9I制作厂免费鈥檚 Schulich School of Music, with Dominique Labelle as voice teacher, as well as Esther Gonthier and Stephen Hargreaves as principal coaches.鈥听
In March 2021, Olivier sang the role of Emilio in Handel鈥檚 Partenope with Opera 9I制作厂免费 and the 9I制作厂免费 Baroque Orchestra, the school鈥檚 first fully staged opera since the beginning of the pandemic. Also with Opera 9I制作厂免费, Olivier was scheduled to sing Acis in March 2020's cancelled production of Acis and Galatea, after having previously performed the role of Tito in Mozart鈥檚 La clemenza di Tito in November 2019 in a production directed by Michael Mori, Tapestry Opera鈥檚 general director.
In 2017, he was a finalist in the Atelier lyrique de 濒鈥橭辫茅谤补 de Montr茅al鈥檚 Gala Talent, and a semi-finalist at the OSM Manulife Competition. At Bard College, he sang Taminoin Mozart鈥檚 Die Zauberfl枚te, the tenor solo in Handel's Messiah and the roles of Governor and Vanderdendur in Bernstein's Candide. Alongside his passion for opera and concert performing, Olivier deeply enjoys the recital repertoire, most recently performing Britten鈥檚 On This Island song cycle and excerpts from his Folksongs Arrangements, as well as selections from Hugo Wolf鈥檚 M枚rike-Lieder and Goethe-Lieder.
搁补辫丑补别虉濒 Laden-Guindon
Where do you call home?
I was born and raised in Chicago, but I have spent every single summer since I turned 13 in Quebec. My mom鈥檚 side of the family is from here, and I was a long-time camper and counselor at the Camp Musical du P猫re Lindsay in Lanaudi猫re. So, home for me is a big city on lake Michigan and a small camp au bord du lac Priscault.
What would being named the winner of the Wirth Vocal Prize enable you to do?
Winning the Wirth Prize would give me tremendous flexibility for the next chapter of my singing life. It would allow me to audition for companies and Young Artist Programs in the US and in Europe without the financial stress of booking travel and accommodations. It would also allow me to devote even more of my focus towards maintaining a career as a singer without having to worry about fitting a singer鈥檚 schedule into a job that helps to pay the bills.
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Who are you studying with and who will be your collaborative pianist?
I am currently studying with John Mac Master, and I will be collaborating with Kerry Agnew.
Do you have a favourite part of your program?
I love the excerpt of Robert Schumann鈥檚 Dichterliebe. I recently had the chance to perform the entire cycle, and I find it to be such an emotionally moving experience (both to perform and to listen to). The music and poetry bring me to the bounds of human experience without ever going into the super-human. That鈥檚 a special quality, for a genre that spends much of its time in super-human realms.
What鈥檚 a recent discovery you鈥檝e made?
I think the two most important things for me when singing are focus and gratitude. If I can get those two flowing, then everything will line up.
How has music helped you find connection?
Music has been one of the only ways to connect in person this year. I鈥檓 so grateful that we鈥檝e been able to have in-person lessons and coachings since the fall, as it has been one of the only ways to be spend time with others indoors. Since January, we鈥檝e been able to have Song Interpretation class as well as opera rehearsals, and those have been the only ways to be with a group of people indoors for an extended period of time. It has made me quite conscious of the beauty of these moments; it鈥檒l be a long time before I take music making for granted.
When you鈥檙e not in preparation and practice mode, how do you disconnect?
I watch and consume way too much sports content (I co-run a twitter account that analyzes NFL Punter performance using our own custom metrics鈥e鈥檝e been able to interview a couple of NFL players through it). I dive into intricate cooking and baking projects (I had a sourdough starter before it was cool). I garden (when the weather permits). I play Settlers of Catan and other board games.
Biography
Praised for his 鈥渃ontagious sensibility鈥 (Revue 濒鈥橭辫茅谤补), Canadian-American Baritone, 搁补辫丑补别虉濒 Laden-Guindon made his professional debut at the 2020 Festival de Musique de Lachine, as a part of the concert entitled 鈥淪potlight on the New Generation.鈥 He听 most recently appeared as 翱辫丑茅尘辞苍 in 尝鈥檃尘补苍迟 anonyme (Chevalier de St-Georges) and as Bob in The Old Maid and the Thief (Menotti) as a part of Opera 9I制作厂免费鈥檚 2020-2021 season.
Recent credits include Mr. Olsen in Street Scene (Weil), Publio (cover) in La Clemenza di Tito (Mozart) with Opera 9I制作厂免费; Aristeo in Orfeo (Rossi), Corebo in La Didone (Cavalli) and Aristone in Xerse (Cavalli) with the Yale Baroque Opera Project; as well as the title role in La chute de la maison Usher (Debussy) and Doctor Gregg in Gallantry (Moore) with the Opera Theatre of Yale College (OTYC). He served as the Artistic Director of the OTYC (Yale鈥檚 undergraduate run opera company) in the 2018-2019 season and sang with the prestigious Yale Schola Cantorum between 2015 and 2018.
During his time at 9I制作厂免费 he was a recipient of both SSHRC and FRQSC master鈥檚 research scholarship. He will be graduating from 9I制作厂免费 this Spring, in the studio of John Mac Master
2019 - 2020 Finalists
Jenny Ivanovna (winner)
鈥Why did you choose to study at the Schulich School of Music?
First, while finishing my undergraduate, I was looking to apply for graduate schools outside of the USA. I did my research in Canada and I was surprised to find 9I制作厂免费鈥檚 Schulich School of Music to be ranked as one of the best, if not the best music of school in Canada. Then, I was very inspired when I discovered the voice faculty team, especially my voice teacher Annamaria Popescu. When I discovered she had sung at La Scala and followed her career and knew she was a mezzo-soprano, I made my decision. I have been very fortunate to have worked with the most wonderful coaches and teachers here at 9I制作厂免费. They have inspired me and guided me to be the best of me.
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2. Where do you call home?
I am from Mexico; however, I have lived in Texas for almost ten years, and then Montreal for almost two years. Nonetheless, my home is where my dear husband Eric lives, San Jose California. Over there is where I am always happy no matter what the circumstances are, and I can always feel loved.
3. What is one unexpected talent or pastime that you have?
I am very passionate about cooking. My lovely mom taught me how to cook since before I can remember. When I was seven years old, I would make breakfast for my siblings and that included homemade flour tortillas. I love cooking for my friends, or family. I spend fifty percent of time cooking or thinking about cooking.
4. What went into choosing the repertoire for the finals of the 2020 Wirth Vocal Prize?
I wanted to choose repertoire that tells people who Jenny Ivanovna is. I love every single piece I am singing and I am very excited to perform them. In addition to that, I wanted to make sure I present different styles, colors, and moods. Each piece tells a different story, and I am very excited to tell those stories.
5. What does it mean to you to be one of the Wirth finalists?
It is such an honor and I am very humbled to be one of the three 2020 Wirth finalists. This is such an incredible opportunity to go and do what we singers love to do the most while having in mind that the voice faculty believed in us, and decided to have us here. Above all, this is the most rewarding prize.
Sarah Dufresne
Why did you choose to study at the Schulich School of Music?
My time at 9I制作厂免费 has been filled with opportunities to work with a supportive and knowledgeable faculty. I completed my Masters of Music in voice and Opera last spring and am currently studying with soprano Tracy Smith-Bessette in the Graduate Diploma in Performance program. My 9I制作厂免费 experience has given me many skills and tools that I will utilize in my future as an opera singer.
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2. Where do you call home?
Coming from beautiful Niagara Falls, Canada I have loved my time at 9I制作厂免费 and grown as a singer, as well as a person, in an encouraging environment that pushed and expanded my limits.
3. What is one unexpected talent or pastime that you have?
I have also had the chance to direct two one-act operas during my time at 9I制作厂免费 which gave me a great perspective on what it is like to be on 鈥渢he other side of the table.鈥
4. What went into choosing the repertoire for the finals of the 2019-20 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
I am honored to be competing in the Wirth Vocal Prize this year with repertoire that sums up the vast musical experience I have received through the guidance of 9I制作厂免费鈥檚 devoted faculty. My program reflects the joy and journey of refining my craft as an artist through a selection of my favourite things to sing. Thank you to Elizabeth Wirth and to 9I制作厂免费 for this incredible opportunity, and good luck to the other finalists!
Jo茅 Lampron-Dandonneau
Why did you choose to study at听the Schulich School of Music?
I decided to come study at the Schulich School of Music to work with my teacher, Dominique Labelle. I had met her before the auditions and knew right away that we would work well together. I was also aware that Opera 9I制作厂免费 had decided to do Street Scene this year, and since it is one of my favorite operas, I had no choice but to audition. And now, I get to sing Sam Kaplan, one of the lead roles.
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2.听 Where do you call home?
Officially, I call Richmond, in the Eastern Townships, home, but Montreal is where I live now.
3.听 What is one unexpected talent or pastime that you have?
I am a fervent knitter. It calms my nerves like nothing else, and you end up with something nice to wear afterwards. Plus, it makes perfect gifts for Christmas!
4. What went into choosing the repertoire for the finals of the 2020 Wirth Vocal Prize?
I decided to pick pieces that, not only do I love, but are telling a story when all put together. It is a mixture of opera arias, art songs and musical theater, and it goes from the beginning of a new love to passion, then moves to conflict and separation.
5. What does it means to you to be one of the Wirth finalists?
For me, it means that my teachers and coaches do believe in me, and see the passion that I have for singing. It is an unbelievable honor to be able to show my talent and my art to the world. All I can do now is make them proud!
Watch a performance of Jenny Ivanovna, 2019-2020 winner of the Wirth Vocal Prize
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2018 - 2019 Finalists
Marcel d'Entremont (winner)
Why did you choose to study at听the Schulich School of Music?
I chose to study at the Schulich School of Music specifically to work with my professor, Joanne Kolomyjec. In 2014, I competed at the National Music Festival of Canada which was being adjudicated by Joanne. I was very fortunate to win the competition, and we kept in semi-regular touch, and I had lessons with her whenever I was in Montreal from then on. After two years of working following my 惭补蝉迟别谤鈥檚 degree, I realized that there were still vocal issues that I wanted to sort out and, after speaking with Joanne, decided that I should come here to work with her!
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2.听 Where do you call home?
Home for me is the very small community of Merigomish, Nova Scotia, located roughly between Halifax and Cape Breton. I鈥檓 not sure of the exact population, but I would guess that it is around 200.
3.听 What is one unexpected talent or pastime that you have?
Perhaps this isn鈥檛 so unexpected since I鈥檓 a music student, but I do like to play the piano! I took piano lessons for 9 years before starting voice, and did some collaborating during my undergraduate degree. I was also the full-time music director and organist at a local church during my grade 12 year of high school.
4.听 What went into choosing the repertoire for the finals of the 2018-19 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
It took me a very long time to get my full program together! I wanted to select music that didn鈥檛 make me feel overly nervous, but which also showed a variety of different colours and moods, and also played to my strengths. I did a lot of discussion with my voice teacher, as well as my coaches, and also just did a lot of personal thinking about what music I felt connected to. It was very difficult, but I think that I have a good program which highlights many different things that I feel good about as a singer. I鈥檓 probably the most excited to perform 贰谤濒办枚苍颈驳 by Schubert, since I love the drama of the different characters, and also because my pianist plays it very well! That being said, I鈥檓 also VERY partial to I Bought me a Cat, by Aaron Copland. It鈥檚 very fun.
5.听 What would it mean to you to be named the winner of the Wirth Vocal Prize?
Being named the Wirth Vocal Prize winner would mean an awful lot to me. To be recognized for the work, time, and money that I have dedicated to bettering myself as an artist would be really fantastic, and the prize money would mean opening a lot of doors for my future in regards to auditions, applications, and travelling. That being said, there isn鈥檛 anyone competing who doesn鈥檛 deserve to be recognized for their similar dedication to the art. We are all working hard and strive to create music and make a living doing it, and at the end of the day I am confident that I will want to continue making music, no matter the outcome.
6.听 Who are you studying with and who will be your collaborative pianist?
My voice teacher is Joanne Kolomyjec, and my collaborative pianist (and also my roommate!) is Dakota Scott-Digout, and they are both absolutely fantastic! I鈥檇 also like to give a shout-out to some of my other teachers, who helped me to get to this point: Monica George-Punke, Donna Hargreaves-Cameron, Peter Groom, Christianne Rushton, and Wendy Nielsen all have all of my love, admiration and thanks!
Elisabeth Boudreault
Why did you choose to study at the Schulich School of Music?
I applied to study at Schulich because I wanted to work with my teacher, Aline Kutan. But, I chose Schulich because I knew that I would be surrounded by an amazing faculty and some of the most talented young singers in Canada.
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2. Where do you call home?
I like to make myself at home everywhere I go, so every city I鈥檝e lived in so far feels like home to me. However, going back to Saguenay is always special to me. The smell of the woods and the calmness of the night makes me feel so safe. It simply feels right every time I go back.
3. What is one unexpected talent or pastime that you have?
I鈥檓 an aunt to six amazing nephews and nieces, and I鈥檝e therefore developed a quite outstanding capacity at inventing games 鈥 my favorites being the ones that involve lightsabers.
I鈥檓 also particularly talented at cake fights,which is a tradition in our family. I'm always proud to say that it's a talent that I inherited from my father. Let鈥檚 just say that you really want to be on our team鈥
4. What went into choosing the repertoire for the finals of the 2018-19 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
I鈥檓 pretty excited about my program for the finals! When it comes to choosing repertoire for a competition, I often feel it is easy to automatically pick the most virtuosic arias of your repertoire (especially when you are a coloratura soprano), but it was really important to me to present pieces that deeply inspire me and I鈥檓 really happy that I鈥檝e been able to include works from almost all of my favorite composers. I think the one that I鈥檓 most looking forward to singing is probably Ophelia鈥檚 Song by Jake Heggie.
5. What would it mean to you to be named the winner of the Wirth Vocal Prize?
I already feel very lucky to be amongst the four finalists, but winning the Wirth Vocal Prize would obviously be an honour for me. I think that we have to acknowledge how incredible it is to have a competition of this importance at our school. Whatever what the outcome is, I find it truly amazing that this prize exists and that it will greatly contribute to the development of a young singer鈥檚 career.
6. Who are you studying with and who will be your collaborative pianist?
I am studying under Aline Kutan, and my pianist will be the lovely Julie Choi!
Sarah Dufresne
鈥Why did you choose to study at the Schulich School of Music?
I chose to study at the Schulich School of Music because of the many opportunities that it offers its voice students. I really enjoy singing early music, opera, art song and musical theatre, and at 9I制作厂免费 I have had the opportunity to do them all. Being a well-rounded singer is very important to me and 9I制作厂免费 offers all of its singers many opportunities to achieve this goal.
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2. Where do you call home?
I鈥檓 originally from Niagara Falls Ontario!
3. What went into choosing the repertoire for the finals of the 2018-19 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
For the Wirth Vocal Prize I chose to sing repertoire that I love! I chose many of my favourite arias and songs, and I鈥檓 very excited to sing the whole program! However, I鈥檓 most excited to sing Der H枚lle Rache from The Magic Flute because I am currently preparing to sing the role of the Queen of the Night with Opera 9I制作厂免费 this coming February. The Queen has been my dream role to sing since I started singing!
4. What would it mean to you to be named the winner of the Wirth Vocal Prize?鈥
To be named the winner of the Wirth Prize would mean so incredibly much to me. I really love studying at 9I制作厂免费 and to be awarded this prize would make me feel very honoured. I would like to thank Schulich for this incredible opportunity and I the other finalists good luck!
5. Who are you studying with and who will be your collaborative pianist?
I currently study with Tracy Smith-Bessette, and during the finals, my collaborative pianist will be the incredible Jennifer Szeto.
Vanessa Croome
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2017 - 2018 Finalists
Anna-Sophie Neher (winner)
鈥Why did you choose to study at the Schulich School of Music?
9I制作厂免费 is such a great school! There is so much to learn here. The teachers are some of the best in North America and the opera program puts on shows that are of really high quality. I wanted to be part of that.
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2. Where do you call home?
I am originally from Gatineau (Quebec) but Montreal has definitely stolen my heart.
3. What is one unexpected talent or pastime you have?鈥
I love playing hockey! In the winter, there is nothing I like more than to play a game with some friends at the rink after a long day at school.
4. What went into choosing the repertoire for the finals of the 2017 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
It took me a while to choose my program for the Wirth Vocal Prize. I really wanted to show who I am in the repertoire but also explore many different styles. I am definitely most excited to perform the Poulenc set that I am singing. Deux po猫mes de Louis Aragon was written during World War II and it has always been very special for me to perform them.
5. What would it mean to you to be named the winner of the Wirth Vocal Prize?鈥
Just to be part of the finals is already such a huge honor, I cannot imagine how you feel after winning!
6. Who are you studying with and who will be your collaborative pianist?
I am studying with Dominique Labelle. Esther Gonthier will be my collaborative pianist.
Carolyn Beaudoin
Why did you choose to study at the Schulich School of Music?
I chose this school because I felt that I wanted an immersive performance program that operated as closely to a professional young artist program as possible. Schulich and Opera 9I制作厂免费 fulfilled this requirement and the Voice Faculty offered access to some of the highest calibre teachers and coaches in the country.
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2. Where do you call home?
I was born in Newmarket and grew up in both Aurora and the tiny town of Sunderland (it can be found about 45 minutes west of Peterborough, Ontario). I鈥檝e also lived in Ottawa during the completion of my Bachelors and Masters degrees and I鈥檓 now approaching my two-year anniversary of moving to Montr茅al.
The only consistent place of gathering for my family and friends has been our family cottage in Haliburton, Ontario. This is where I feel most at home-- close to the people I love most, close to the water, and away from the hustle and bustle of the city. I feel at home where the pavement ends.
3. What is one unexpected talent or pastime that you have?
I consider myself a bit of a green thumb, though my plants might disagree. I鈥檓 also an avid weekend explorer of small historical towns. My recent favorites include Essex (located along Lake Champlain in New York) and Saint-Donat-de-Montcalm.
4. What went into choosing the repertoire for the finals of the 2017 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
I began by creating a shortlist with my top choices and then consulted with my coaches and teacher in selecting my program. We decided on a mix of operatic and song repertoire that challenges me to stretch both my voice and storytelling skills.
I鈥檓 most excited to perform all of it! I love singing in Pollack Hall and my program includes some of my favorite music. If I had to choose, I would pick the excerpts from Libby Larsen鈥檚 Try Me, Good King. The texts are the final letters and gallows speeches of the wives of King Henry VIII. I love digging into historical research and really admire the way that Larsen weaves elements of lute songs and bell-tolling throughout the cycle to reflect the inner crises and exterior reality of each queen.
5. What would it mean to you to be named the winner of the Wirth Vocal Prize?
I already feel like a winner in being named a finalist. It鈥檚 such an honor to be recognized by my professors and the semi-final panelists in this way. The trajectory of change that I鈥檝e experienced over the past three terms has been everything I could have hoped for and more. It would be a testament to the vision of Aline Kutan, Michael McMahon, Stephen Hargreaves, Olivier Godin, and Patrick Hansen in hearing hidden possibilities in my voice and bringing them to light through our work together. Regardless of the competition outcome, I feel like I鈥檓 becoming the artist I always hoped and dreamed I could be.
6. Who are you studying with and who will be your collaborative pianist?
I鈥檓 currently studying with Aline Kutan and coaching with Stephen Hargreaves and Michael McMahon. Julien LeBlanc will be joining me at the piano on December 2nd.
Gina Hanzlik
鈥Why did you choose to study at the Schulich School of Music?
A mentor of mine in Michigan suggested 9I制作厂免费 to me when she heard I had decided to begin applying for graduate school. I was impressed by 9I制作厂免费's reputation and drawn to the international nature of Montreal. As an American, studying in another country with exposure to another language was important for me. I came to Montreal for my audition and sample lesson and the staff won me over. After meeting Stephen Hargreaves and having a trial lesson with Dominique Labelle, I knew 9I制作厂免费 was the right fit.听
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2. Where do you call home?
Right now I call Montreal home! I also have deep connections to Detroit, Michigan where I taught 4th grade for three years and Minneapolis, Minnesota where I was born and raised.
3. What is one unexpected talent or pastime you have?鈥
I鈥檓 a cowgirl! I love horses. I grew up trial riding with my mom and brother. My childhood horse Fauna still lives at my family鈥檚 home in Wisconsin and I ride her every time I visit.
4. What went into choosing the repertoire for the finals of the 2017 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
I wanted to choose repertoire that I really loved, that also showed my strengths as a performer. The selections I鈥檝e chosen have been pillars of my training here at 9I制作厂免费. I鈥檝e enjoyed perfecting them over the past few months and I hope the hard work shows!听
5. What would it mean to you to be named the winner of the Wirth Vocal Prize?鈥
It鈥檚 an honor to simply have been nominated for the Wirth Vocal Prize. This school is full of talented people and I鈥檓 constantly amazed at the level of commitment my colleagues bring to our work every day. As I finish my time at 9I制作厂免费 and begin to carve my way into the field, this nomination is a vote of confidence from the Schulich community that I鈥檓 on the right path. To be named the winner of the Wirth Vocal Prize would be icing on the cake!听
6. Who are you studying with and who will be your collaborative pianist?
I study with Dominique Labelle and will be performing with fellow Schulich School of Music student Brandon Tran.
Jean-Philippe Mc Clish
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Why did you choose to study at听the Schulich School of Music?
First of all, I wanted to create a team around me that can help me improve and guide me on my artistic path, a team that I can trust even, as we say in French, with closed eyes! Before coming to 9I制作厂免费, I had my vocal coach and artistic father, Martin Dub茅, and I was working in private with Michael McMahon who invited me to study at 9I制作厂免费. At that time, I was in Qu茅bec city and I took the bus every two weeks to work with Michael. When I asked Martin how I should continue singing, he told me that I needed to study with Dominique Labelle if I go to 9I制作厂免费. I didn鈥檛 apply to any school to do my Masters because I didn鈥檛 have enough money, but thankfully I got lucky and someone dear to me helped me financially. I followed what Martin told me and I do not regret it since I have come to meet so many people who could help me grow artistically. I am so happy to have such a good team around me with Martin Dub茅, Dominique Labelle, Patrick Hansen and Michael McMahon, and many others
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2.听 Where do you call home?
I call Qu茅bec city home, because that is where I am from and that is where my family and friends live. I miss walking in the old part of the city and I love seeing the castle with the river and the mountains all around. I miss sometimes the friendly people and ambiance of the city and I love the fact that it only takes 10 minutes to drive from the city to be in the country. When I go back home and arrive at the bridge, and I see the river and all the beautiful things in Quebec, I really feel like I am at home!
3.听 What is one unexpected talent or pastime that you have?
I really love to cook. When I was 13 years old my father obligated me to go work, so I got a job washing dishes in a restaurant which gave me sense of responsibility. At sixteen years old I was promoted to become a cook and at twenty one I was a sous-chef. Now I use those skills as a hobby and I enjoy making dinners at my place for my friends and to see their satisfaction!
4.听 What went into choosing the repertoire for the finals of the 2017 Wirth Vocal Prize? Which piece(s) are you most excited to perform, and why?
I wanted to built my program around art songs, what are my first love for music and what in some way brought me to singing! I am really excited to perform Die beiden Grenadiere by Schumann. I really like the progression of the characters in the lied. I am also really excited to perform La croix douloureuse by Caplet. This is a beautiful and unknown piece that I hope the public will appreciate and discover at the same time!
5.听 What would it mean to you to be named the winner of the Wirth Vocal Prize?
To win the Wirth Competition would be an amazing encouragement. It illustrates that all the hard work I have done has paid off and that I need to continue to work and grow. On the other hand, to not win the competition means that I have still come very far, and that I need to continue working and growing that much harder. I am a guy who when a door closes I open another. When I got refused for some things in the past, I just told myself 鈥榃ell, which project can I do now?鈥 I started back at square one and tried again, since I believe that these setbacks have taught me perseverance, and I believe that the hard times have made me stronger! I firmly believe that is all about a point of view!!
6.听 Who are you studying with and who will be your collaborative pianist?
I am currently studying with Dominique Labelle and my pianist is Pierre-Andr茅 Doucet.
2016 - 2017 Finalists
Simone Mcintosh (winner)
Why did you choose to study at the Schulich School of Music?
Throughout Canada, 9I制作厂免费鈥檚 Schulich School of Music consistently ranks as one of the best, if not, the best music school, so it has always been a school I鈥檝e aspired to attend. I decided to come to 9I制作厂免费 because of the wealth of knowledge in all genres of classical singing: Early music, contemporary, art song, opera, and so much more. I am fortunate enough to have the most wonderful teachers, coaches and mentors to guide me through my education and help me grow as a singer and artist.
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Where do you call home?
I am originally from Vancouver, but have lived in five different cities including Toronto and Montreal. At this point, I cannot say which city I consider home, as I鈥檝e loved living in each city for very different reasons. As a rather social person, I would say that home for me is where my friends and family are (clich茅, I know), which could be in almost any city I go to.
Other than on stage or in the practice room, where might one find you?
If we鈥檙e not including home, I would likely be out for coffee, beer, or dinner with some friends or my wonderful boyfriend.
What is one unexpected talent or pastime that you have?
I LOVE knitting, crochet, sewing, and fashion design in general. My family is extremely crafty, and it has definitely been passed along the generations. If I weren鈥檛 a singer, I could imagine myself designing clothes and sewing鈥 But hey! I don鈥檛 see why I couldn鈥檛 be a fashion designing opera singer!
What would it mean to you to be named the winner of the Wirth Vocal Prize?
It would be such an honour to be named the winner! It would be an incredible opportunity to help launch my career as I graduate from the 惭补蝉迟别谤鈥檚 in Opera and Voice program. Whatever the outcome, I am so thankful to have been a participant of the competition, and would have to attribute a huge portion of that to the wonderful program and faculty at the Schulich School of Music.
Jean-Philippe Mc Clish
Why did you choose to study at听the Schulich School of Music?
1) First of all I wanted to create a team around me that can help me improve and guide me on my artistic path, a team that I can trust even, as we say in French, with closed eyes! Before coming to 9I制作厂免费 I had my vocal coach and artistic father, Martin Dub茅, and I was working in private with Michael McMahon who invited me to study at 9I制作厂免费. At that time I was in Qu茅bec city and I took the bus every two weeks to work with Michael. When I asked Martin how I should continue singing, he told me that I needed to study with Dominique Labelle if I go to 9I制作厂免费. I didn鈥檛 apply to any school to do my Masters because I didn鈥檛 have enough money, but thankfully I got lucky and someone dear to me helped me financially. I followed what Martin told me and I do not regret it since I have come to meet so many people who could help me grow artistically. I am so happy to have such a good team around me with Martin Dub茅, Dominique Labelle, Patrick Hansen and Michael McMahon, and many others.
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Where do you call home?
2) I call Qu茅bec city home, because that is where I am from and that is where my family and friends live. I miss walking in the old part of the city and I love seeing the castle with the river and the mountains all around. I miss sometimes the friendly people and ambiance of the city and I love the fact that it only takes 10 minutes to drive from the city to be in the country. When I go back home and arrive at the bridge, and I see the river and all the beautiful things in Quebec, I really feel like I am at home!
Other than on stage or in the practice room, where might one find you?
3) I can say that I have a kind of routine, which I think it is really important if we want to have a career. When I am not at school practicing I am mostly at home doing that routine. Every evening after dinner I go into my room, close the door and look at my score for two hours without singing. After I might play a video game, or read or watch a TV show to calm my mind because I cannot sleep if I go to bed right after looking at my scores. My mind is thinking too much then and too busy. I also like to go to the gym, about four times a week. I go to the 9I制作厂免费 gym when I finish school early, before I go home and I also go to a gym close by my house.
What is one unexpected talent or pastime that you have?
4) I really love to cook. When I was 13 years old my father obligated me to go work, so I got a job washing dishes in a restaurant which gave me sense of responsibility. At sixteen years old I was promoted to become a cook and at twenty one I was a sous-chef. Now I use those skills as a hobby and I enjoy making dinners at my place for my friends and to see their satisfaction!
What would it mean to you to be named the winner of the Wirth Vocal Prize?
5) To win the Wirth Competition would be an amazing encouragement. It illustrates that all the hard work I have done has paid off and that I need to continue to work and grow. On the other hand, to not win the competition means that I have still come very far, and that I need to continue working and growing that much harder. I am a guy who when a door closes I open another. When I got refused for some things in the past, I just told myself 鈥榃ell, which project can I do now?鈥 I started back at square one and tried again, since I believe that these setbacks have taught me perseverance, and I believe that the hard times have made me stronger! I firmly believe that is all about a point of view!!
Igor Mostovoi
鈥Why did you choose to study at the Schulich School of Music?
When I came to Canada I knew that classical music exists but I didn鈥檛 know a lot about it. The passion I had was for singing and performing. I heard that 9I制作厂免费 is the best place to study music in Canada and after listening to singers who were studying at the Schulich School of Music at that time I was very impressed and wanted to try myself. I applied, auditioned and was very lucky to be accepted and to have people who helped me through that period of my life which I am very thankful for. It was a life changing time.
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Where do you call home?
Home for me is the place where I have my family and friends who always wait, support and love me and where I feel myself comfortable and can be myself without hiding my emotions, happiness or sadness.
Other than on stage or in the practice room, where might one find you?鈥
On the metro going from home to school and the other way around. (Joking) You can find me in the gym, walking or biking in the parks, sometimes listening to jazz concerts and other types of music. I love walking through old parts of different cities, so old port in Montreal would be the place too.
What is one unexpected talent or pastime you have?鈥
I studied and competed in Martial Arts for 6 years.
What would it mean to you to be named the winner of the Wirth Vocal Prize?鈥
Winning any competition is a result of collaboration and hard work between singer and his or her teachers and mentors, as well as support of the family. My teachers and mentors are very kind and patient with me and my family is extremely supportive about everything I am doing. To be named winner of the Wirth Vocal Prize would be thanking these people for all their hard work, patience and support.鈥
2015-2016 Finalists
Chelsea Rus (winner)
Why did you come to the Schulich School of Music?
The Schulich School of Music was my first choice to complete my 惭补蝉迟别谤鈥檚 degree in Opera Performance. My teacher at the University of British Columbia recommended that I study with Joanne Kolomyjec. After talking to Joanne, and doing some reading of her biography and listening to her recordings, I decided that this was going to be a great fit (and I was right!). When I finally came out to do my audition for 9I制作厂免费, I went to see Opera 9I制作厂免费s production of Britten鈥檚 Midsummer Nights Dream. It was beautifully designed, full of colour, cleverly staged and had an excellent calibre of singers. I was immediately attracted to the attention to detail put in by the cast, crew and director. After having seen that production, I was determined to come to 9I制作厂免费 the following year.
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Where do you call home?
I consider my heart to always be where my Dad is, and for now he is still living in my hometown of Abbotsford, British Columbia. That is where I grew up and learned to love music. I also lived in Vancouver for three years, and loved it there. That being said, Montreal is the first place where I feel like I鈥檝e built my own independent home. To me, Montreal is a perfect mixture of a big city with European charm. Being so close to both Toronto and New York via train is also a big pull since these three cities are where the majority of my auditions are happening these days. I鈥檝e also made so many wonderful friends and colleagues here that I can鈥檛 imagine leaving anytime soon. In fact, the way things are looking I may set roots here for the next little while.
Other than on stage or practicing, where might someone find you?鈥
When the weather permits, I love to go running or spend time in the beautiful parks here in Montreal. I am also learning to love to cook, and really enjoy cooking with friends. When I鈥檓 back home visiting B.C, you can find me outside hiking, camping or fishing!
What is one unexpected talent or pastime you have?鈥
I am the household foosball champion, and very proud of it. Any takers?
What would it mean to you to be named the winner of the Wirth Vocal Prize?鈥
First of all I am grateful to be a finalist, and to win would such a substantial and meaningful award would be an incredible honour.
Since I am graduating this year, I am stepping in to the big wide world without having the security of school. I feel like as singers, we juggle a lot of different financial burdens: coachings, lessons, headshots, travel cost, proper apparel, applications fees, audition fees, pianists. Not to mention the basic things such as rent, food, and transportation. I am not going to lie, it can all be very daunting and stressful. Winning this competition would mean that I could make more opportunity for myself, and ultimately worry less. I could take also take further steps to sing internationally by taking auditions in Europe.
My primary job after graduation is to keep seeking more contracts and opportunity. For me, the lifting of financial burden would mean that I could go to New York to take that audition, and not have the immediate worry or feel guilty that I may not make my visa payment this month. I could travel to Europe to do an audition tour, and have a few lessons with a teacher I know in D眉sseldorf. Winning this competition would free me up to actively create more opportunity for myself without the worry of taking two steps back finically. I would consider this scholarship an incredible investment in my future as a singer, and would use the money to further pursue a career in Opera.鈥
Nicholas Burns
Why did you come to the Schulich School of Music?
I came to the Schulich School of Music because it's a place where you can explore almost any facet of music imaginable with people who are true authorities in their given expertise. Be it opera, art song, early music, or choir, the amount you can learn from the faculty here is unquantifiable! 听
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Where do you call home?
Burnaby, British Columbia.
Other than practicing or on stage, where might someone find you?
You'd probably find me day dreaming of hiking or skiing in my native province of BC!! (Mt Royal is not a 'real' mountain!!).
What is one unexpected talent or pastime that you have?
I won the World Pipe Band Championships in 2012.听
What would it mean to you to be named the winner of the Wirth Vocal Prize?
To be named the winner of the Wirth Voice Prize would mean a whole lot to me because I truly admire and look up to all my friends who I have the pleasure of singing and learning with here at the Schulich School of Music!
Bruno Roy
Why did you come to the Schulich School of Music?
I first came to the Schulich School in the summer after high school; I needed to get my theory and musicianship abilities up to par with the requirements of my CEGEP music program. I continued to make my way to the Schulich School during my CEGEP degree since I received voice lessons from Winston Purdy who was also my teacher during my undergraduate and master's degrees.
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Where do you call home?
I hail from Carignan, a small town on Montreal鈥檚 South Shore, nestled between the bustle of the city and the quaintness of the country. It was a quiet community to grow up and its proximity to the city has allowed me to feel connected to my home and family throughout my post high school studies.
Other than on stage or practicing, where might someone find you?
I am a huge foodie so you could easily find me at a good restaurant or cafe. I have irresistible urge to always try new places, switch it up and perhaps be able to answer the eternal mystery: which Montreal cafe has the best espresso?
What is one unexpected talent or pastime that you have?
During this past holiday season I discovered an interesting pastime, woodworking. I decided to make a coffee table for a loved one from scratch. My father helped me design and chose the materials, and I worked hours on end filling holes and crevices, finishing, sanding and staining this piece of furniture. I took great care in these finishing touches and found myself very satisfied and proud of the work had I done.
What would it mean to you to be named the winner of the Wirth Vocal Prize?
I have a deep respect for the opportunities and instruction that I received during my undergraduate and graduate studies at the Schulich School. I am proud of the work that I have accomplished with the help of my instructors and colleagues during my time at 9I制作厂免费, and to be recognized in such a way would be an immense honour.
Lauren Woods
Why did you come to the Schulich School of Music?
I came to 9I制作厂免费 to study with Aline Kutan, and Michael MacMahon, among other fantastic teachers and coaches.听
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Where do you call home?
Calgary, Alberta.
Other than on stage or practicing, where might someone find you?
On a pair of skis or a听mountain bike in the听Rocky Mountains.
What is one unexpected talent or pastime that you have?
Don't let my height fool you,听I was the MVP of my high school Rugby Team.
What would it mean to you to be named the winner of the Wirth Vocal Prize?
People often find that transitioning听from school to the听professional world can be very听difficult. I think this is in part due to a lack of confidence when spreading ones wings, as well as financial听constraints. 听Winning the听Wirth听Vocal Prize would be a meaningful encouragement to minimize both of these difficulties upon graduating.听