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Note: This is the 2018–2019 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
Note: This is the 2018–2019 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
A one-year graduate performance diploma that allows excellent musicians to refine their technique and master repertoire through intensive coaching, practice, and performance projects. Designed as a polishing diploma, the program prepares musicians for professional careers as soloists, opera singers, collaborative pianists, chamber, jazz, and orchestral musicians or for further graduate studies in performance. Program requirements are flexible, with a range of performance project options including solo, chamber, recording, orchestral auditions, and creative collaborations. Admission is by audition, with candidates having previously completed a B.Mus., a Licentiate, or M.Mus.
For Harpsichord students:
Performance : An historically-oriented study of the principles of figured-bass. The student will realize at sight elementary bass patterns. Standard idioms from historical treatises will be introduced.
Terms: Fall 2018
Instructors: Knox, Hank (Fall)
2 hours
Prerequisites: MUTH 150 and permission of instructor.
Students must register for both MUPG 272D1 and MUPG 272D2.
No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms
Enrolment limited to 6.
Performance : See MUPG 272D1 for course description.
Terms: Winter 2019
Instructors: Knox, Hank (Winter)
Prerequisite: MUPG 272D1
No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms
2 hours
Enrolment limited to 6.
Performance : A study of 17th and 18th Century styles of figured-bass accompaniment as revealed in contemporary sources. The emphasis will be on the realization at the keyboard of representative works using original sources.
Terms: This course is not scheduled for the 2018-2019 academic year.
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
1 hour
Prerequisites: MUPG 272 AND permission of instructor. Enrolment limited to 4
Students must register for both MUPG 372D1 and MUPG 372D2.
No credit will be given for this course unless both MUPG 372D1 and MUPG 372D2 are successfully completed in consecutive terms
Performance : See MUPG 372D1 for course description.
Terms: This course is not scheduled for the 2018-2019 academic year.
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Prerequisite: MUPG 372D1
No credit will be given for this course unless both MUPG 372D1 and MUPG 372D2 are successfully completed in consecutive terms
Practical Instrument : Practical Instruction; for individual artists will be defined around the specific performance projects detailed at audition. For chamber ensembles, includes individual artistry, development of group identity with respect to sound, communication skills, performance practice, and artistic/interpretative vision for chamber ensembles
Terms: Fall 2018
Instructors: Eriksson, Erik; Cope, Todd; Hashimoto, Kyoko; Roy, Andre J; Labelle, Dominique; Kolomyjec, Joanne; Kutan, Aline; Leclair, Marie-; Dobby, Timothy; Yazdanfar, Ali; Robinson, Brian; Hutchins, Timothy (Fall)
Restrictions: Open to students in the Graduate Artist Diploma only.
Additional Course Charges: Music Private Lesson Fee. Amount: $529.00
Practical Instrument : Continued practical Instruction; for individual artists will be defined around the specific performance projects detailed at audition. For chamber ensembles, includes individual artistry, development of group identity with respect to sound, communication skills, performance practice, and artistic/interpretative vision for chamber ensembles.
Terms: Winter 2019
Instructors: Eriksson, Erik; Cope, Todd; Hashimoto, Kyoko; Labelle, Dominique; Kolomyjec, Joanne; Kutan, Aline; Leclair, Marie-; Dobby, Timothy; Robinson, Brian; Hutchins, Timothy; Yazdanfar, Ali; Fournelle-Blain, Victor (Winter)
Restriction(s): Open to students in the Graduate Artist Diploma only.
Additional Course Charges: Music Private Lesson Fee. Amount: $529.00.
8 credits from the following:
Performance : A public solo, collaborative piano, chamber music recital, or preparation/presentation of a Featured Opera Role (by audition).
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Recital (40 - 45 minutes), Featured Opera Role (by audition) as defined by the American Guild of Musical Artists.
Restriction(s): Only open to students in the Graduate Artist Diploma.
Performance : A second public solo, orchestral repertoire, collaborative piano, chamber music recital, or preparation/presentation of a Featured Opera Role (by audition).
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Restriction(s): Only open to students in the Graduate Artist Diploma program.
Recital (40 - 45 minutes), Featured Opera Role (by audition) as defined by the American Guild of Musical Artists, orchestral repertoire (minimum 20 excerpts; maximum exam duration of 40 minutes).
Performance : A public solo, collaborative piano, chamber music recital, or Lead Opera Role (by audition).
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Restriction(s): Only open to students in the Graduate Artist Diploma.
Recital (65-75 minutes); or Lead Opera Role (by audition) as defined by the American Guild of Musical Artists.
Performance : A composition commission, a research-related project (e.g., transcription, performance edition) or inter-disciplinary collaboration (music technology, dance, etc.) that results in a public performance; by departmental approval.
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Performance : Concerto performance.
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Performance : Studio recording with liner notes, by approval of department.
Terms: Fall 2018, Winter 2019
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Restriction(s): Only open to students in the Graduate Artist Diploma. Restrictions may apply to the studio recording option depending on available resources.
By proposal only and with approval of the Department; additional fees may apply.
0-3 credits from:
Sound Recording : The Seminar aims at giving Music Performance and Sound Recording students the tools to becoming better recording artists, performers and recording engineers in today’s music scene. It will help them acquire skills and abilities as well as develop an informed judgement about recorded music performances and the recorded sound.
Terms: Winter 2019
Instructors: De Francisco, Martha (Winter)
3 hours.
Restriction(s): This seminar is open to second year masters and doctoral Sound Recording students, master's and doctoral Performance and Graduate Artist Diploma students only.
* Required of all instruments except Voice
3-6 credits from:
Performance courses with departmental approval from the following lists:
Any ensemble course with the prefix MUEN at the 500 or 600 level
Performance : Introduction to the creative practice of improvisation for performers. The course focuses on the development of listening as applied to the practice of collective and solo improvisation.
Terms: Winter 2019
Instructors: Bourgogne, Guillaume (Winter)
Prerequisite(s): Audition.
Restriction(s): Available to Music students; open to others by permission of the department. Not open to Jazz students. Not open to students who have taken MUEN 571.
Performance : This course is designed for performers who want to develop their skills as advanced improvisers. Both collective and solo contexts are addressed as performance practices, touching upon the history of improvisation as well as current trends.
Terms: Fall 2018
Instructors: Bourgogne, Guillaume (Fall)
No credit will be given for this course unless both MUPG 572D1 and MUPG 572D2 are successfully completed in consecutive terms
Performance : This course is designed for performers who want to develop their skills as advanced improvisers. Both collective and solo contexts are addressed as performance practices, touching upon the history of improvisation as well as current trends.
Terms: Winter 2019
Instructors: Bourgogne, Guillaume (Winter)
Prerequisite(s): MUPG 571 or MUJZ 224 and MUPG 572D1
Prerequisite: MUPG 572D1
No credit will be given for this course unless both MUPG 572D1 and MUPG 572D2 are successfully completed in consecutive terms
* may be taken only once
and the additional courses from the following list for these areas:
Voice
Practical Instrument : Individual coaching sessions on advanced vocal repertoire with emphasis on musical and linguistic nuance.
Terms: Fall 2018, Winter 2019
Instructors: McMahon, Michael; Hansen, Patrick; Gonthier, Esther; Godin, Olivier; Hargreaves, Stephen; Knox, Hank; Leblanc, Suzie (Fall) McMahon, Michael; Godin, Olivier; Gonthier, Esther; Hargreaves, Stephen; Hansen, Patrick; Leblanc, Suzie (Winter)
Restriction: Not open to students who have taken MUIN 600
Practical Instrument : Continuation of Vocal Coaching I with emphasis on musical and linguistic nuance.
Terms: Fall 2018, Winter 2019
Instructors: McMahon, Michael; Gonthier, Esther; Hargreaves, Stephen (Fall) McMahon, Michael; Gonthier, Esther; Kinslow, Valerie; Godin, Olivier; Hargreaves, Stephen; Knox, Hank; Hansen, Patrick; Leblanc, Suzie (Winter)
Restriction: Not open to students who have taken MUIN 601
* may be taken only once per diploma
Piano
Performance : A historically-oriented study of the principles of figured bass. Standard idioms from historical treatises will be introduced. Preparation of operatic excerpts from the standard high Baroque repertory is required.
Terms: Fall 2018
Instructors: Knox, Hank (Fall)
Performance : A study of the many different styles of figured bass accompaniment as revealed in contemporary sources. The emphasis will be on realization at the keyboard of representative 17th- and 18th- century operatic recitatives and arias.
Terms: Winter 2019
Instructors: Knox, Hank (Winter)
2 hours
Prerequisite: MUPG 670
Performance : Issues in collaborative piano song repertoire and performance in different genres and musical styles.
Terms: Fall 2018
Instructors: Hargreaves, Stephen (Fall)
Prerequisite: MUEN 556 or equivalent or permission of the instructor
Restriction: Open to graduate students in collaborative piano or with the permission of the instructor
Performance : Issues in collaborative piano orchestral reduction, opera, oratorio and performance in different genres and musical styles.
Terms: This course is not scheduled for the 2018-2019 academic year.
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Prerequisite: MUEN 556 or equivalent or permission of the instructor
Restriction: Open to graduate students in collaborative piano or with permission of the instructor
* if not already taken.
** may be repeated with permission of the instructor.
Chamber Music
Practical Instrument : Individual coaching sessions for musicians in advanced ensembles to focus on their individual instrumental technique.
Terms: This course is not scheduled for the 2018-2019 academic year.
Instructors: There are no professors associated with this course for the 2018-2019 academic year.
Restriction(s): Open only to musicians in Chamber Music Stream in the Graduate Diploma in Performance and the Graduate Artist Diploma. May be taken by D.Mus. students with special permission.
30 minutes
* may be repeated once per program.
Organ
Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.
Terms: Fall 2018
Instructors: Oldengarm, Jonathan (Fall)
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.
Terms: Winter 2019
Instructors: Oldengarm, Jonathan (Winter)
Prerequisite(s): MUPG 575D1.
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
Performance : A historically-oriented study of the principles of figured bass. Standard idioms from historical treatises will be introduced. Preparation of operatic excerpts from the standard high Baroque repertory is required.
Terms: Fall 2018
Instructors: Knox, Hank (Fall)
Performance : A study of the many different styles of figured bass accompaniment as revealed in contemporary sources. The emphasis will be on realization at the keyboard of representative 17th- and 18th- century operatic recitatives and arias.
Terms: Winter 2019
Instructors: Knox, Hank (Winter)
2 hours
Prerequisite: MUPG 670
One 3-credit seminar at the 500 or 600 level approved by the Department
* if not already taken.
Early Music
Performance : A historically-oriented study of the principles of figured bass. Standard idioms from historical treatises will be introduced. Preparation of operatic excerpts from the standard high Baroque repertory is required.
Terms: Fall 2018
Instructors: Knox, Hank (Fall)
Performance : A study of the many different styles of figured bass accompaniment as revealed in contemporary sources. The emphasis will be on realization at the keyboard of representative 17th- and 18th- century operatic recitatives and arias.
Terms: Winter 2019
Instructors: Knox, Hank (Winter)
2 hours
Prerequisite: MUPG 670
* if not already taken.