Organizing committee
- Stephen McAdams, Professor, 9IÖÆ×÷³§Ãâ·Ñ,ÌýChair
- Meghan Goodchild, Research Librarian, Queens University, Co-chair
- Etienne Thoret, Post-doctoral fellow, 9IÖÆ×÷³§Ãâ·Ñ,ÌýPaper chair
- Moe Touizrar, PhD student, 9IÖÆ×÷³§Ãâ·Ñ,ÌýMusic chair
- Kit Soden, PhD student, 9IÖÆ×÷³§Ãâ·Ñ,ÌýWorkshop chair
- Hannah Darroch, DMus student, 9IÖÆ×÷³§Ãâ·Ñ,ÌýLogistics and managerial support
- Manda Fischer, Undergraduate student, 9IÖÆ×÷³§Ãâ·Ñ,ÌýGraphic design
International evaluation committee
- Acoustics – Stefan Weinzierl, Technische Universität Berlin
- Composition – Luis Naón, Haute école de musique de Genève; John Rea, 9IÖÆ×÷³§Ãâ·Ñ
- Computer science – Philippe Esling, IRCAM/Université Pierre et Marie Curie
- Ethnomusicology – Cornelia Fales, Indiana University
- Music theory and analysis – Robert Hasegawa, 9IÖÆ×÷³§Ãâ·Ñ
- Musicology – Emily Dolan, Harvard University; Friedemann Sallis, University of Calgary
- Neuroscience – Mounya Elhilali, Johns Hopkins University
- Popular music studies – Zachary Wallmark, Southern Methodist University
- Psychology – Stephen McAdams, 9IÖÆ×÷³§Ãâ·Ñ
- Signal processing – Philippe Depalle, 9IÖÆ×÷³§Ãâ·Ñ
- Sound recording – Martha de Francisco, 9IÖÆ×÷³§Ãâ·Ñ
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